George Santayana

“ Like Faust, he flouts science, and is minded to make trial of magic, which renders a man’s will master of the universe in which he seems to live. He disowns all authority, save that mysteriously exercised over him by his deep faith in himself. He is always honest and brave; but he is always different, and absolves himself from his past as soon as he has outgrown or forgotten it. He is inclined to be wayward and foolhardy, justifying himself on the ground that all experience is interesting, that the springs of it are inexhaustible and always pure, and that the future of his soul is infinite. ”

“ In philosophy itself investigation and reasoning are only preparatory and servile parts, means to an end. They terminate in insight, or what in the noblest sense of the word may be called theory, θεωρία,—a steady contemplation of all things in their order and worth. Such contemplation is imaginative. No one can reach it who has not enlarged his mind and tamed his heart. A philosopher who attains it is, for the moment, a poet; and a poet who turns his practised and passionate imagination on the order of all things, or on anything in the light of the whole, is for that moment a philosopher. ”

“ So conceived, the Divine Comedy marks high noon in that long day-dream of which Plato’s dialogues mark the beginning: a pause of two thousand years in the work of political reason, during which the moral imagination spun out of itself an allegorical philosophy, as a boy, kept at home during a rainy day with books too hard and literal for his years, might spin his own romance out of his father’s histories, and might define, with infantile precision, his ideal lady-love, battles, and kingdoms. The middle age saw the good in a vision. ”

“ Who shall be the poet of this double insight? He has never existed, but he is needed nevertheless. It is time some genius should appear to reconstitute the shattered picture of the world. He should live in the continual presence of all experience, and respect it; he should at the same time understand nature, the ground of that experience; and he should also have a delicate sense for the ideal echoes of his own passions, and for all the colours of his possible happiness. All that can inspire a poet is contained in this task, and nothing less than this task would exhaust a poet’s inspiration. ”

“ All experience tempts Faust; he shrinks from nothing that any mortal may have endured; he is ready to undertake everything that any mortal may have done. In all men he would live; and with the last man he will be content to die. [4] So mighty is his yearning for experience that the Earth-Spirit is softened and appears at his bidding. In a red flame he sees its monstrous visage, and his enthusiasm is turned to horror. Outspread before him is the furious, indiscriminate cataract of life, the merciless flux, the infinite variety, the absolute inconstancy of it. ”

“ The bird is not in his native wilds; man is not in the bosom of nature. He is, in a moral sense, still at the centre of the universe; his ideal is the cause of everything. He is the appointed lord of the earth, the darling of heaven; and history is a brief and prearranged drama, with Judea and Rome for its chief theatre.
Some of these illusions are already abandoned; all are undermined. Sometimes, in moments when we are unnerved and uninspired, we may regret the ease with which Dante could reconcile himself to a world, so imagined as to suit human fancy, and flatter human will. ”

“ Against this instinctive horror of dying Lucretius has many brave arguments. Fools, he says to us, why do you fear what never can touch you? While you still live, death is absent; and when you are dead, you are so dead that you cannot know you are dead, nor regret it. You will be as much at ease as before you were born. Or is what troubles you the childish fear of being cold in the earth, or feeling its weight stifling you? But you will not be there; the atoms of your soul—themselves unconscious—will be dancing in some sunbeam far away, and you yourself will be nowhere ”

“ From the point of view of the church he is damned already as an unbeliever; but, as an unbeliever, he is looking for salvation in another quarter. Like the bolder spirits of the Renaissance, he is hoping to find in universal nature, infinite, placid, non-censorious, an escape from the prison-house of Christian doctrine and Christian law. His magic arts are the sacrament that will initiate him into his new religion, the religion of nature. He turns to nature also in another sense, more characteristic of the age of Goethe than of that of Faust. He longs for grandiose solitudes. ”

“ Lucretius himself, in his sympathy with nature, in his zeal for human enlightenment, in his tears for Iphigenia, long since dead, is not moved by the hope of observing, or the memory of having observed, what excites his emotion. He forgets himself. He sees the whole universe spread out in its true movement and proportions; he sees mankind freed from the incubus of superstition, and from the havoc of passion. The vision kindles his enthusiasm, exalts his imagination, and swells his verse into unmistakable earnestness. ”

“ Our scholarship and philosophy, our faithful imitation of Greek art and literature, may actually render the Greek scene familiar to us. Yet the setting of this recovered genius will still be modern; it will become half modern itself; we shall have to teach Helen to rhyme. The product of this hybrid inspiration will be a romantic soul in the garb of classicism, a lovely wild thing, fated to die young. When this enthusiasm has dashed itself against the hard conditions of life, the beauty of Greece, that was its mother, will also pale before our eyes. ”

“ Never before or since has a poet lived in so large a landscape as Dante; for our infinite times and distances are of little poetic value while we have no graphic image of what may fill them. Dante’s spaces were filled; they enlarged to the limits of human imagination, the habitations and destinies of mankind. Although the saints did not literally inhabit the spheres, but the empyrean beyond, yet each spirit could be manifested in that sphere the genius of which was most akin to his own. ”

“ Horace, usually so much slighter than Lucretius, is less cursory here. Not only does he strike much oftener the note of friendship, but his whole mind and temper breathe of friendliness and expected agreement. There is, in the very charm and artifice of his lines, a sort of confidential joy in tasting with the kindred few the sweet or pungent savour of human things. To be brief and gently ironical is to assume mutual intelligence; and to assume mutual intelligence is to believe in friendship. In Lucretius, on the other hand, zeal is mightier than sympathy, and scorn mightier than humour. ”

“ What if after death we should awake in a world to which the atomic philosophy might not in the least apply? Observe that this suggestion is not in the least opposed to any of the arguments by which science might prove the atomic theory to be correct. All that Epicurus taught about the universe now before us might be perfectly true of it; but what if to-morrow a new universe should have taken its place? The suggestion is doubtless gratuitous, and no busy man will be much troubled by it; yet when the heart is empty it fills itself with such attenuated dreams. ”

“ So that while to see nature, as Lucretius sees it, is a greater feat than merely to live hard in a romantic fashion, and produces a purer and more exalted poem than Goethe’s magical medley, yet this medley is full of images, passions, memories, and introspective wisdom that Lucretius could not have dreamed of. The intellect of Lucretius rises, but rises comparatively empty; his vision sees things as a whole, and in their right places, but sees very little of them; he is quite deaf to their intricacy, to their birdlike multiform little souls. ”

“ Abandon yourself, Dante would say to us,—abandon yourself altogether to a love that is nothing but love, and you are in hell already. Only an inspired poet could be so subtle a moralist. Only a sound moralist could be so tragic a poet.
The same tact and fine feeling that appear in these little moral dramas appear also in the sympathetic landscape in which each episode is set. The poet actually accomplishes the feat which he attributes to the Creator; he evokes a material world to be the fit theatre for moral attitudes. ”

“ The good—this was the fundamental thought of Aristotle and of all Greek ethics,—the good is the end at which nature aims. The demands of life cannot be radically perverse, since they are the judges of every excellence. No man, as Dante says, could hate his own soul; he could not at once be, and contradict, the voice of his instincts and emotions. Nor could a man hate God; for if that man knew himself, he would see that God was, by definition, his natural good, the ultimate goal of his actual aspirations. ”

“ Or perhaps it would be better to say that to have an ideal does not mean so much to have any image in the fancy, any Utopia more or less articulate, but rather to take a consistent moral attitude towards all the things of this world, to judge and coordinate our interests, to establish a hierarchy of goods and evils, and to value events and persons, not by a casual personal impression or instinct, but according to their real nature and tendency. So understood, an ultimate ideal is no mere vision of the philosophical dreamer, but a powerful and passionate force in the poet and the orator. ”

“ The career of Faust himself had been far more free and active than that of his industrious burghers could ever hope to be. His interest in establishing them is a masterful, irresponsible interest. It is one more arbitrary passion, one more selfish illusion. As he had no conscience in his love, and sought and secured nobody’s happiness, so he has no conscience in his ambition and in his political architecture; but if only his will is done, he does not ask whether, judged by its fruits, it will be worth doing. ”

“ By going down into the bowels of nature, where the earth goddesses dwell, who are the first mothers of all life and of all civilizations alike, we may gather intelligence to comprehend even the most alien existence. Greece, after such a reversion to the elemental, will appear to us in her unmatched simplicity and beauty. The vision will be granted us, although the object we see belongs to a distant past; and if our enthusiasm, like that of Faust, is passionate and indomitable, we may actually persuade the Queen of the Dead to yield up Helen that we may wed her. ”

“ Discover the right principle of action, and you will have discovered the ruling force in the universe. Evoke in your rapt aspiration the essence of a supreme good, and you will have understood why the spheres revolve, why the earth is fertile, and why mankind suffers and exists. Observation must yield to dialectic; political art must yield to aspiration.
It took many hundred years for the revolution to work itself out; Plato had a prophetic genius, and looked away from what he was (for he was a Greek) to what mankind was to become in the next cycle of civilization. ”

“ For this reason Lucretius, who sees human life and human idealism in their natural setting, has a saner and maturer view of both than has Wordsworth, for all his greater refinement. Nature, for the Latin poet, is really nature. He loves and fears her, as she deserves to be loved and feared by her creatures. Whether it be a wind blowing, a torrent rushing, a lamb bleating, the magic of love, genius achieving its purpose, or a war, or a pestilence, Lucretius sees everything in its causes, and in its total career. ”

“ Such is the gist also of what may be called the philosophy of the Renaissance, the reassertion of science and liberty in the modern world, by Bacon, by Spinoza, by the whole contemporary school that looks to science for its view of the facts, and to the happiness of men on earth for its ideal. This system is called naturalism; and of this Lucretius is the unrivalled poet.
Skip a thousand years and more, and a contrasting spectacle is before us. All minds, all institutions, are dominated by a religion that represents the soul as a pilgrim upon earth; the world is fallen and subject to the devil ”

“ That things have their poetry, not because of what we make them symbols of, but because of their own movement and life, is what Lucretius proves once for all to mankind.
Of course, the poetry we see in nature is due to the emotion the spectacle produces in us; the life of nature might be as romantic and sublime as it chose, it would be dust and ashes to us if there were nothing sublime and romantic in ourselves to be stirred by it to sympathy. But our emotion may be ingenuous; it may be concerned with what nature really is and does, has been and will do for ever. ”

“ Once attained, things are transcended. Like the episodes of a spent dream, they are to be smiled at and forgotten; the spirit that feigned and discarded them remains always strong and undefiled; it aches for new conquests over new fictions. This is romanticism. It is an attitude often found in English poetry, and characteristic of German philosophy. It was adopted by Emerson and ought to be sympathetic to Americans; for it expresses the self-trust of world-building youth, and mystical faith in will and action. The greatest monument to this romanticism is Goethe’s Faust. ”

“ As in a supreme dramatic crisis all our life seems to be focused in the present, and used in colouring our consciousness and shaping our decisions, so for each philosophic poet the whole world of man is gathered together; and he is never so much a poet as when, in a single cry, he summons all that has affinity to him in the universe, and salutes his ultimate destiny. It is the acme of life to understand life. ”

“ His understanding, however, is not impartial, because he is the advocate of death; he cannot sympathize with the other half of the Earth-Spirit, which he does not represent,—the creative, propulsive, enamoured side, the side that worships the ideal, the love that makes the world go round. What enchants an ingenuous soul can only amuse Mephistopheles; what torments it gives him a sardonic satisfaction. Thus he comes to be in fact a sour and mocking devil. At other times, when he opposes the silliness and romanticism of Faust, he seems to be the spokesman of all experience and reason ”

“ Pity and remorse, they seem to say, in the words of Spinoza, are evil and vain; failure is incidental; error is innocent. Nature has no memory; forgive yourself, and you are forgiven. The song of the second watch merges the unhappy soul again in the infinite incorruptible substance of nature. The stars, great or little, twinkling or pure, fill the sky with their ordered peace, and the sea with their trembling reflection. ”

“ The complete biography of Caesar is Caesar seen under the form of eternity. Now the complete biography of Faust, Faust seen under the form of eternity, shows forth his salvation. God and Faust himself, in his last moment of insight, see that to have led such a life, in such a spirit, was to be saved; it was to be the sort of man a man should be. The blots on that life were helpful and necessary blots; the passions of it were necessary and creative passions. To have felt such perpetual dissatisfaction is truly satisfactory; such desire for universal experience is the right experience. ”

“ A poet might be a symbolist in another sense,—if he broke up nature, the object suggested by landscape to the mind, and reverted to the elements of landscape, not in order to associate these sensations lazily together, but in order to build out of them in fancy a different nature, a better world, than that which they reveal to reason. The elements of landscape, chosen, emphasized, and recombined for this purpose, would then be symbols for the ideal world they were made to suggest, and for the ideal life that might be led in that paradise. ”

“ Venus must be the patron of his art and philosophy. She must keep Memmius from the wars, that he may read, and be weaned from frivolous ambitions; and she must stop the tumult of constant sedition, that Lucretius may lend his undivided mind to the precepts of Epicurus, and his whole heart to a sublime friendship, which prompts him to devote to intense study all the watches of the starry night, plotting the course of each invisible atom, and mounting almost to the seat of the gods. ”

“ Lucretius is the poet of substance. The ground is what he sees everywhere; and by seeing the ground, he sees also the possible products of it. Experience appears in Lucretius, not as each man comes upon it in his own person, but as the scientific observer views it from without. Experience for him is a natural, inevitable, monotonous round of feelings, involved in the operations of nature. The ground and the limits of experience have become evident together.
In Dante, on the other hand, we have a view of experience also in its totality, also from above and, in a sense, from outside ”

“ There can be no doubt that the devil here represents the natural ideal of Faustus, or of any child of the Renaissance; he appeals to the vague but healthy ambitions of a young soul, that would make trial of the world. In other words, this devil represents the true good, and it is no wonder if the honest Faustus cannot resist his suggestions. We like him for his love of life, for his trust in nature, for his enthusiasm for beauty. ”

“ Vigorous and throbbing as are his pictures of spring, of love, of ambition, of budding culture, of intellectual victory, they pale before the vivid strokes with which he paints the approach of death—fatigue of the will, lassitude in pleasure, corruption and disintegration in society, the soil exhausted, the wild animals tamed or exterminated, poverty, pestilence, and famine at hand; and for the individual, almost at once, the final dissipation of the atoms of his soul, escaping from a relaxed body, to mingle and lose themselves in the universal flow. ”