Gilbert Keith Chesterton

Gilbert Keith Chesterton

Summary

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton Utopia of Usurers

This complete and reconstructed man is the nightmare of the modern capitalist. His whole scheme would crack across like a mirror of Shallot, if once a plain man were ready for his two plain duties—ready to live and ready to die. And that horror of holidays which marks the modern capitalist is very largely a horror of the vision of a whole human being: something that is not a "hand" or a "head for figures." But an awful creature who has met himself in the wilderness. The employers will give time to eat, time to sleep; they are in terror of a time to think.
Source: Wikisource

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton Utopia of Usurers

No doubt the fashion will spread, and the art of words, as polished and pointed by Ruskin or Meredith, will be perfected yet further to explore the labyrinthine heart of Harrod; or compare the simple stoicism of Marshall with the saintly charm of Snelgrove.
Any man can be praised—and rightly praised. If he only stands on two legs he does something a cow cannot do. If a rich man can manage to stand on two legs for a reasonable time, it is called self-control. If he has only one leg, it is called (with some truth) self-sacrifice.
Source: Wikisource

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton Utopia of Usurers

Any housekeeper in a truthful mood, that is to say, any housekeeper in a bad temper, will tell you that they are not. But housekeepers, too, are human, and therefore inconsistent and complex; and they do not always stick to truth and bad temper. They are also affected by this queer idolatry of the enormous and elaborate; and cannot help feeling that anything so complicated must go like clockwork. But complexity is no guarantee of accuracy—in clockwork or in anything else. A clock can be as wrong as the human head; and a clock can stop, as suddenly as the human heart.
Source: Wikisource

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