Summary

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

On this pedestal it was the intention of Tribolo to place a bronze statue, three braccia and a half high, representing Florence, and signifying that from the mounts Asinaio and Falterona come the waters of the Arno and the Mugnone to Florence, and for this figure the master had prepared a most exquisite model exhibiting the figure in the act of wringing with her hands the luxuriant tresses of her hair whence the water comes streaming on every side.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

The possession of these resources caused Tribolo to prepare the tazza for this fountain, earlier perhaps than he might otherwise have done, for the decoration of the same he designed a dance of children which he arranged around the mouth of the tazza, and close to the edge or lip thereof; the little boys composing this dance hold festoons of marine plants, which are detached from the marble with the most admirable art: the pedestal also, which Tribolo erected within the tazza, is adorned with figures of children and masks throwing water, which are all of extraordinary beauty and excellence.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

The edge of the fountain has the form of a vase, and the body, or that part which contains the water, is in the figure of a circle. The foot or pedestal in the centre of the basin has eight sides at the lowest part, and continues in this shape, forming eight stages or seats, even to the foot of the tazza, on each of these stages is the seated figure of a boy in full relief and of the size of life; these children are in various attitudes, their arms and legs entwined together to form a kind of chain, all exceedingly beautiful, and constituting a very rich ornament.
Source: Wikisource

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