Summary

Henry Hallam Introduction to the Literature of Europe in the Fifteenth…

The recluse philosopher, who, like Descartes in his country-house near Utrecht, investigates the properties of quantity, or the operations of the human mind, while nations are striving for conquest and factions for ascendancy, hears that tumultuous uproar but as the dash of the ocean waves at a distance, and it may even serve, like music that falls upon the poet’s ear, to wake in him some new train of high thought, or at the least to confirm his love of the absolute and the eternal, by comparison with the imperfection and error that besets the world.
Source: Gutenberg

Henry Hallam Introduction to the Literature of Europe in the Fifteenth…

Antony and Cleopatra is of rather a different order; it does not furnish, perhaps, so many striking beauties as the last, but is at least equally redolent of the genius of Shakspeare. Antony, indeed, was given him by history, and he has but embodied in his own vivid colours the irregular mind of the Triumvir, ambitious and daring against all enemies but himself. In Cleopatra he had less to guide him; she is another incarnation of the same passions, more lawless and insensible to reason and honour, as they are found in women.
Source: Gutenberg

Henry Hallam Introduction to the Literature of Europe in the Fifteenth…

His name, and the just curiosity of mankind to trace the development of a mighty genius, would naturally attract our regard. They are in themselves full of classical elegance, of thoughts natural and pleasing, of a diction culled with taste from the gardens of ancient poetry, of a versification remarkably well-cadenced and grateful to the ear. There is in them, without a marked originality, which Latin verse can rarely admit but at the price of some incorrectness or impropriety, a more individual display of the poet’s mind than we usually find.
Source: Gutenberg

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