“ Had we time, and were this the fit place, we could, we think, make something out of this comparison of the boat with its sail and its rudder, and the unseen, wayward, serviceable winds playing about it, inspiring it, and swaying its course,—and the iron steamer, with its machinery, its coarse energy, its noises and philosophy, its ungainly build and gait, its perilousness from within; and we think we could show how much of what Aristotle, Lord Jeffrey, Charles Lamb, or Edmund Burke would have called genuine poetry there is in the slender “V.,” and how little in the big “Festus.” ”
John Brown
Summary
"Spare Hours," a collection of essays and reflections by John Brown, examines the relationship between art, nature, and human intellect through contemplative prose. Published in the 19th century, the work delves into themes of creativity, spiritual satisfaction, and the ethical aspects of art, as seen in its discussions of painters, thinkers, and the "diviner air" of imagination.
Named entities such as Rab, Toby, and Davie appear alongside biblical and historical allusions, embedding personal stories within wider philosophical questions. Brown’s text highlights the redemptive force of love and the conflict between natural simplicity and industrial modernity, ultimately offering a synthesis that portrays art as both a sanctuary and a channel for higher truth.
Quotes from Spare Hours (John Brown)
“ Art is part of my daily food, like the laughter of children, and the common air, the earth, the sky; it is an affection, not a passion to come and go like the gusty wind, nor a principle cold and dead; it penetrates my entire life, it is one of the surest and deepest pleasures, one of the refuges from “the nature of things,” as Bacon would say, into that enchanted region, that “ampler æther,” that “diviner air,” where we get a glimpse not only of a Paradise that is past, but of a Paradise that is to come. ”
“ Any likeness of him in this state, more like that of the proto-martyr, when his face was as that of an angel, than anything I ever beheld, would have made one feel what it is so impossible otherwise to convey,—the mingled sweetness, dignity, and beauty of his face. When it was winter, and the church darkening, and the lights at the pulpit were lighted so as to fall upon his face and throw the rest of the vast assemblage into deeper shadow, the effect of his countenance was something never to forget.He was more a man of power than of genius in the ordinary sense. ”
