John Gustavus Lemaistre

Summary

John Gustavus Lemaistre A rough sketch of modern Paris (1803)

The pomp of military parade with which it is attended, the beauty of the palace, the handsome uniforms and commanding figures of the soldiery, the variety of regimentals worn by the officers of different nations, the elegance of taste displayed by some foreigners (for every one not in uniform is in the full dress of the old court) , the splendid stars, ribands, and orders of others, and, above all, the celebrity of Bonaparte, unite so many circumstances in its favour, that you will not be surprised at a judgment, which, to a person who has not lately seen Paris, may seem extraordinary.
Source: Gutenberg

John Gustavus Lemaistre A rough sketch of modern Paris (1803)

An excellent likeness in full length of madame Bonaparte, and a beautiful miniature of a father and a son, by Isabey, were the only objects which attracted my attention. My impatience soon carried me forward. At length I found myself in the magnificent room, which I have before mentioned, the walls of which are covered as far as the eye can reach with the sublimest efforts of human art. Where the mind has long been promised a pleasure, when fancy has dressed it in all her choicest colours, how seldom does the reality approach the phantom of heated imagination!
Source: Gutenberg

John Gustavus Lemaistre A rough sketch of modern Paris (1803)

Our race of horses, and our manufacture of carriages, are both too perfect to render it possible for us to admire the wretched equipages, [287] which are here considered as the acme of elegance. It is equally impossible for us to praise the gardens of the Thuilleries, the Champs Elisées, or the Bois de Boulogne, as long as we remember Hyde park or Kensington gardens. Nor can the lighting and paving of Paris excite the admiration of those who have been used to the comfortable trottoir and brilliant lamps of the streets of London.
Source: Gutenberg

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