Francis William Blagdon

Summary

Francis William Blagdon Paris as It Was and as It Is

Every country has its charms and advantages. Paris alone appears to combine them all. Every region, every corner of the globe seems to vie in hastening to forward hither the tribute of its productions. Are you an epicure? No delicacy of the table but may be eaten in Paris.—Are you a toper? No delicious wine but may be drunk, in Paris.—Are you fond of frequenting places of public entertainment? No sort of spectacle but may be seen in Paris.—Are you desirous of improving your mind? No kind of instruction but may be acquired in Paris.—Are you an admirer of the fair sex?
Source: Gutenberg

Francis William Blagdon Paris as It Was and as It Is

Comedy lost a vigorous supporter under the tyranny of ROBESPIERRE. This was FABRE D'EGLANTINE. That poet seldom failed of success, drew none but bold characters, and placed himself, by his own merit, between MOLIÈRE and DESTOUCHES. COLIN D'HARLEVILLE and LEGOUVÉ produce agreeable pieces which succeed. They paint, with an easy and graceful pencil, the absurdities and humours of society; but their pieces are deficient in plot and action. FABRÉ D'EGLANTINE pourtrayed, in striking colours, those frightful vices which are beyond the reach of the law.
Source: Gutenberg

Francis William Blagdon Paris as It Was and as It Is

Experience tells us that every truncated pillar, every remnant, in short, of past grandeur, rouses attention, and speaks home to the contemplative mind; while these modern edifices, however firmly erect on their base, excite, comparatively speaking, but a feeble interest. In future ages, perhaps, when the Pantheon of Paris shall be prostrate on the ground, and the wreck of its stately dome be overrun with moss and ivy, it may, probably, attract as much notice as the far-tamed temple of Jupiter-Ammon.
Source: Gutenberg

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