Summary

John Robert Scott Dissertation on the Progress of the Fine Arts

No; for in Greece then, as with ourselves now, there were among the artists (what in the modern phrase we call) fine gentlemen: persons of too sublime a genius to condescend to study, and of too delicate a frame to submit to labour. The character of the species has been preserved, though the names of its individuals have long, long since been forgotten. But they never promoted the progress, never advanced the improvement of any art: but, like their amiable successors, followed a trade for support, and did not cultivate a profession with dignity.
Source: Gutenberg

John Robert Scott Dissertation on the Progress of the Fine Arts

And the citizens thus employed were conscious, in addition to the common motives of rivalry generally prevalent at all times among men of spirit engaged in the same pursuits, that not only their individual character, but the fame of their nation, was implicated in their labours; and fired by the warm energy of that recollection, they wrought with a glowing heat, with an ardour of enthusiasm that, in repeated instances, burst forth in the brightest blaze of excellence.
Source: Gutenberg

John Robert Scott Dissertation on the Progress of the Fine Arts

The ingenuity of love taught the fair nymph to portray the shadow of that favoured youth whose merits had won her heart, that even in his absence she might feast her mind with beholding some similitude of his form: and hence the imagination, impregnated by the nascent thought, conceived those possibilities of excellence in painting, and that source of intellectual enjoyment thence arising, which Zeuxis and Parrhasius exhibited to the admiring eyes of Greece, and which Raphael and Michael Angelo have displayed to the enraptured contemplation of the modern world.
Source: Gutenberg

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