Summary

Portrait of John Ruskin John Ruskin,  Proserpina, Volume 1

“ First it comes out of the ground all fresh and bright; then, as the higher leaves and branches shoot up, those first leaves near the ground get brown, sickly, earthy,—remain for ever degraded in the dust, and under the dashed slime in rain, staining, and grieving, and loading them with obloquy of envious earth, half-killing them,—only life enough left in them to hold on the stem, and to be guardians of the rest of the plant from all they suffer;—while, above them, the happier leaves, for whom they are thus oppressed, bend freely to the sunshine, and drink the rain pure. ”
Source: Gutenberg

Portrait of John Ruskin John Ruskin,  Proserpina, Volume 1

“ That blackness at the root—though only so notable in this wood-moss and collateral species, is indeed a general character of the mosses, with rare exceptions. It is their funeral blackness;—that, I perceive, is the way the moss leaves die. They do not fall—they do not visibly decay. But they decay invisibly, in continual secession, beneath the ascending crest. They rise to form that crest, all green and bright, and take the light and air from those out of which they grew;—and those, their ancestors, darken and die slowly, and at last become a mass of mouldering ground. ”
Source: Gutenberg

Portrait of John Ruskin John Ruskin,  Proserpina, Volume 1

“ It is the utmost purification of the plant, and the utmost discipline. Where its tissue is blanched fairest, dyed purest, set in strictest rank, appointed to most chosen office, [65] there—and created by the fact of this purity and function—is the flower.
2. But created, observe, by the purity and order, more than by the function. The flower exists for its own sake,—not for the fruit's sake. The production of the fruit is an added honour to it—is a granted consolation to us for its death. But the flower is the end of the seed,—not the seed of the flower.
”
Source: Gutenberg

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