Summary

Portrait of Maria Montessori Maria Montessori The Montessori Elementary Material

Our object must be the creation not merely of higher and higher grades of understanding but also of higher and higher grades of feeling. In this sense, we can never do too much for the children. It is a task not beneath the dignity of the greatest composers, the most accomplished technicians. Indeed, any one of such might well esteem it a privilege some day to hear it said of his work that it aroused the first love for music in the hearts of one of these little ones. For thus music would have been made a companion, a consoler, a guardian angel of man!
Source: Gutenberg

Portrait of Maria Montessori Maria Montessori The Montessori Elementary Material

Obviously, a wonderful harmony springs up between the teacher, who plays with enthusiastic feeling and with all possible skill of hand and abundance of spirit simply because she feels the musical phenomena around her in the children, and the pupils who, little by little, are transformed under this influence, and show an understanding of the music, which becomes for them something more and more intimate, more and more complete. It is no longer a question of the step, but of the position of the whole body: arms, heads, chests are moved by the music.
Source: Gutenberg

Portrait of Maria Montessori Maria Montessori The Montessori Elementary Material

The universal development of the wondrous language of the hand will come not from a "school of design" but from a "school of the new man" which will cause this language to spring forth spontaneously like water from an inexhaustible spring. To confer the gift of drawing we must create an eye that sees, a hand that obeys, a soul that feels; and in this task the whole life must cooperate. In this sense life itself is the only preparation for drawing. Once we have lived, the inner spark of vision does the rest.
Source: Gutenberg

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