Summary

Mary Wollstonecraft Shelley Lives of the most eminent literary and scientific men of France…

He had a delicacy of feeling that went beyond Boileau—that of shrinking from insulting his fellow actors by seceding from among them, and of choosing to show to the world that he thought it no dishonour to exercise his talent for its amusement. In his heart, indeed, he knew the annoyances attached to his calling; when a young man came to ask him to facilitate his going on the stage, and Molière, inquiring who he was, learnt that his father was an advocate in good practice, on which he represented forcibly the evils that attend the life of an actor.
Source: Gutenberg

Mary Wollstonecraft Shelley Lives of the most eminent literary and scientific men of France…

All human beings have blots and slurs in their character, or they would not be human. We judge by the better part—by that which raises a circle or an individual superior to the common run, not by those failings which stamp all our fellow-creatures as sons of Adam. Thus, we may pronounce on madame de la Fayette as being one of the most remarkable women of the age, for talent, for wit, and for the sincerity, strength, and uprightness of her character.
Source: Gutenberg

Mary Wollstonecraft Shelley Lives of the most eminent literary and scientific men of France…

When his familiar friends, who desired to see him perfect, spoke to him of his defects, he replied with a smile, "I am not the less Pierre Corneille." La Bruyère bears the same testimony: "Simple and timid; tiresome in conversation—he uses one word for another—he knows not how to recite his own verses." [17]
In truth, Corneille's merit did not, as with many Frenchmen, lie on the surface. Conscious of his own desert, ambitious of glory, proud, yet shy, he shrunk from society where all excellence is despised that does not sparkle and amuse.
Source: Gutenberg

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