Summary

Paul Allardyce "Stops", Or How to Punctuate

XVI. A conjunction marks a transition to something new—enforcing, qualifying, or explaining, what has gone before, and is therefore generally preceded by some point. The proper point before a conjunction is determined by many circumstances: among others, by the more or less close connexion of the things joined, by the number of words, and by the use of points for other purposes in the same sentence.
Source: Gutenberg

Paul Allardyce "Stops", Or How to Punctuate

So the ambiguous word "too" does not embarrass us when we read: "This problem, too, easy as it may seem, remains unsolved." (See other examples under Rules XIV. and XV.) Only occasionally, how [11] ever, can clearness be secured by punctuation. No pointing can help us much in Gray's line, or could have given to Pyrrhus the true reading of "Credo te Æacida Romanos vincere posse." And, even where it would make the meaning clear, it is a lazy device, the over-use of which is the sure sign of careless or unskilful composition. The true remedy for ambiguity is not punctuation, but re-writing.
Source: Gutenberg

Paul Allardyce "Stops", Or How to Punctuate

This is so far true; for by the pause we arrange our spoken words into proper groups, thereby enabling our hearers readily to seize the meaning. But between the punctuation of the pen and that of the voice there is a great difference in degree. By the voice we can express the most delicate shades of thought, while only in the roughest way can the comma, the semicolon, and the other points, imitate its effects. As to how far the attempt at imitation should be carried, every writer will have to use his own discretion
Source: Gutenberg

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