Summary

Samuel Bevan Sand and Canvas: Narrative of adventures in Egypt with a sojourn among the artists in Rome (1849)

Raven, I had no time to take any rest in Suez, and therefore, set off almost immediately on my return to Cairo. It was Christmas eve, and the night proved unusually cold, whilst I found it impossible to keep off the wind, which blew steadily through the open cart, piercing the ample folds of my bernous. On we jogged through the dark, the weary Arab fast asleep on his driving seat, bobbing his head to the measured creak of the springs; that, and the jingle of the harness, being the only sounds which disturbed the silence of the desert.
Source: Gutenberg

Samuel Bevan Sand and Canvas: Narrative of adventures in Egypt with a sojourn among the artists in Rome (1849)

Christmas time was fast approaching, and Rome becoming every day more and more crowded with English and other strangers, and consequent upon their arrival was a rapid succession of evening parties and artistical réunions. The brothers of the brush are not less averse than others to glitter in the reflected light of such stars of great magnitude, as twinkle away the winter in the Holy City, and when one of them does manage to nail a great man, there is generally some little manifestation of exclusiveness.
Source: Gutenberg

Samuel Bevan Sand and Canvas: Narrative of adventures in Egypt with a sojourn among the artists in Rome (1849)

The most dignified-looking people in the Corso, are the Roman dandies, who seldom condescend to mingle in any of the active sport, but stand condensed in a mass at the doors of the various caffes, smoking their cigars, and turning to the right and left with a mingled expression of imbecility and good-natured contempt. The higher classes may be seen in the procession which threads its way, unending and at dreary pace, from end to end of the long street. These, and the lower orders, or basso ceto, are by far the most facetious, and keep up between them, the true spirit of the Carnival.
Source: Gutenberg

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