Theodore Dwight Weld

Theodore Dwight Weld

Summary

Portrait of Theodore Dwight Weld Theodore Dwight Weld Shakespeare in the Class-Room (1886)

I mean its recognition every where of the fact that nature is a universal educator.
There is in our literature, but one book besides, that thus teems throughout with nature, and that is Shakespeare. Many other writers move us with her melodies, some with her grand harmonies, but Shakespeare alone sweeps the diapason of all nature's symphonies besides. In others, nature glows in the beauty of her leaf, bud and blossom, but in Shakespeare only, in all the wealth and glory of her golden fruitage too. Other writers represent nature while she sits passive, as her picture is sketched.
Source: Wikisource

Portrait of Theodore Dwight Weld Theodore Dwight Weld Shakespeare in the Class-Room (1886)

Dough in the shape of an axe, and steel without shape are but dough and steel, the axe is wanting. So in mind as wrought out in language, the same things combine, substance and form, thought and speech. Thought without expression is life unborn, expression without thought is a birth still-born. Thought ill expressed is a born monster. Fit words not less than fitly spoken are apples of gold. What hands, assigned to dress and keep throughout the ages the gardens of literature, have caused to grow in them, such and so many golden apples, as those of Shakespeare.
Source: Wikisource

Portrait of Theodore Dwight Weld Theodore Dwight Weld Shakespeare in the Class-Room (1886)

The eye speaks as well as the tongue and better too; clearer, louder, softer, more ravishing, awe inspiring and sublime. What fore-ground, play-ground and battle-ground, has the mind like that of the human face? Let one's soul be but kindled, and how light breaks, and fires flash from the dilated form. Then posture, gesture, presence, the head, the hand, the planted foot, the bearing, the whole person become mind visible, at once its glowing focus, and its flaming radiator.
Source: Wikisource

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