Summary

Portrait of Thomas Davidson Thomas Davidson,  Chambers's Twentieth Century Dictionary 1908… (1908)

“ Idea, ī-dē′a, n. an image of an external object formed by the mind: a notion, thought, any product of intellectual action—of memory and imagination: an archetype of the manifold varieties of existence in the universe, belonging to the supersensible world, where reality is found and where God is (Platonic) ; one of the three products of the reason (the Soul, the Universe, and God) transcending the conceptions of the understanding—transcendental ideas, in the functions of mind concerned with the unification of existence (Kantian) ”
Source: Wikisource

Portrait of Thomas Davidson Thomas Davidson,  Chambers's Twentieth Century Dictionary 1908… (1908)

“ Image, im′āj, n. likeness: a statue: an idol: a representation in the mind, an idea: a picture in the imagination: (optics) the figure of any object formed by rays of light.—v.t. to form an image of: to form a likeness of in the mind.—adj. Im′ageless, having no image.—ns. Imagery (im′āj-ri, or im′āj-er-i) , the work of the imagination: mental pictures: figures of speech: (orig.) images in general; Im′age-wor′ship, honour paid in worship to graven or painted representations of sacred persons or things. [O. Fr.,—L. imago, image; cf. imitāri, to imitate.] ”
Source: Wikisource

Portrait of Thomas Davidson Thomas Davidson,  Chambers's Twentieth Century Dictionary 1908… (1908)

“ Impress′ion, the act or result of impressing: a single edition of a book: the effect of any object on the mind: idea: slight remembrance; Impressionabil′ity.—adj. Impress′ionable, able to receive an impression.—ns. Impress′ionism, a modern movement in art and literature, originating in France, its aim being to cast off the trammels of artistic tradition, and to look at nature in a fresh and original manner—it employs general effects, vigorous touches, and deals in masses of form and colour ”
Source: Wikisource

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