Timothy Cole, Century Magazine
“ The dress of the happy child is of a soft shade of ocher, varied with golden and pearly tints. The pail is of a dull leaden hue, and the white draperies are warm and mellow. The colors are so neutral, tender, and harmonious in their repetitions and minglings, that they quite defy any attempt at description. The delicacy of the values, and the atmosphere of warmth and radiance which suffuses all, wrap the whole in a halo of ideality. This quality of color, however, is not peculiar alone to the works of Jan Steen, but to the Dutch school as a whole. ”
