Timothy Cole

Summary

Timothy Cole Century Magazine

The dress of the happy child is of a soft shade of ocher, varied with golden and pearly tints. The pail is of a dull leaden hue, and the white draperies are warm and mellow. The colors are so neutral, tender, and harmonious in their repetitions and minglings, that they quite defy any attempt at description. The delicacy of the values, and the atmosphere of warmth and radiance which suffuses all, wrap the whole in a halo of ideality. This quality of color, however, is not peculiar alone to the works of Jan Steen, but to the Dutch school as a whole.
Source: Wikisource

Timothy Cole Century Magazine

Often the good nature of a countenance gives it a certain air which is more amiable than beauty. The beauty of a Van Ostade face is that it is warm with expression. It is a beauty that speaks to the imagination, and conducts us from the surface to regard the soul within. Van Ostade's power of seizing character is certainly equal to Rembrandt's in its subtlety and depth of insight.
Source: Wikisource

Timothy Cole Century Magazine

Hooch is one of the most charming of the Dutch masters. He delights in giving us glimpses of the cheerful and peaceful aspect of the domestic life of the time. One might linger hours before his simple scenes with greatest delight without tiring of them, and wonder what it is that gives so mysterious a charm to his works. Much of the secret of his fascination is due to his wonderful feeling for light and shade, and his refined sensitiveness for values, though much more, no doubt, to the sweet contentment and love of home that must have characterized a gentle and refined nature.
Source: Wikisource

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