Virginia Woolf

Virginia Woolf

Summary

Portrait of Virginia Woolf Virginia Woolf,  Monday or Tuesday (1921)

“ But the human face—the human face at the top of the fullest sheet of print holds more, withholds more. Now, eyes open, she looks out; and in the human eye—how d’you define it?—there’s a break—a division—so that when you’ve grasped the stem the butterfly’s off—the moth that hangs in the evening over the yellow flower—move, raise your hand, off, high, away. I won’t raise my hand. Hang still, then, quiver, life, soul, spirit, whatever you are of Minnie Marsh—I, too, on my flower—the hawk over the down—alone, or what were the worth of life? ”
Source: Wikisource

Portrait of Virginia Woolf Virginia Woolf,  Monday or Tuesday (1921)

“ Even so, life isn’t done with; there are a million patient, watchful lives still for a tree, all over the world, in bedrooms, in ships, on the pavement, lining rooms, where men and women sit after tea, smoking cigarettes. It is full of peaceful thoughts, happy thoughts, this tree. I should like to take each one separately—but something is getting in the way. . . Where was I? What has it all been about? A tree? A river? The Downs? Whitaker's Almanack? The fields of asphodel? I can’t remember a thing. Everything’s moving, falling, slipping, vanishing. . . . There is a vast upheaval of matter. ”
Source: Wikisource

Portrait of Virginia Woolf Virginia Woolf,  Monday or Tuesday (1921)

“ There never was Moggridge. Who am I? Life’s bare as bone.
And yet the last look of them—he stepping from the kerb and she following him round the edge of the big building brims me with wonder—floods me anew. Mysterious figures! Mother and son. Who are you? Why do you walk down the street? Where to-night will you sleep, and then, to-morrow? Oh, how it whirls and surges—floats me afresh! I start after them. People drive this way and that. The white light splutters and pours. Plate-glass windows.
”
Source: Wikisource

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