author:Virgil

Summary

author:Virgil The Works of Virgil (1709)

Natural Philosophy has indeed sensible Objects to work upon, but then it often puzzles the Reader with the Intricacy of its Notions, and perplexes him with the multitude of its Disputes. But this kind of Poetry I am now speaking of, addresses it self wholly to the Imagination: It is altogether Conversant among the Fields and Woods, and has the most delightful part of Nature for its Province. It raises in our Minds a pleasing variety of Scenes and Landskips, whilst it teaches us: and makes the dryest of its Precepts look like a Description.
Source: Wikisource

author:Virgil The Works of Virgil (1709)

No Man better understood that Art so necessary to the Great; the Art of declining Envy: Being but of a Gentleman's Family, not Patrician, he would not provoke the Nobility by accepting invidious Honours; but wisely satisfied himself that he had the Ear of Augustus, and the Secret of the Empire. He seems to have committed but one great Fault, which was the trusting a Secret of high Consequence to his Wife; but his Master, enough Uxorious himself, made his own Frailty more excusable, by generously forgiving that of his Favourite. He kept in all his Greatness exact measures with his Friends
Source: Wikisource

author:Virgil The Works of Virgil (1709)

The Scythian Winter-piece appears so very cold and bleak to the Eye, that a Man can scarce look on it without shivering. The Murrain at the end has all the expressiveness that words can give. It was here that the Poet strain'd hard to out-do Lucretius in the description of his Plague; and if the Reader wou'd see what success he had, he may find it at large in Scaliger.
But Virgil seems no where so well pleas'd, as when he is got among his Bees in the Fourth Georgic: And Ennobles the Actions of so trivial a Creature, with Metaphors drawn from the most important Concerns of Mankind.
Source: Wikisource

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