Abbaye Saint-Denis

Definition and stakes

Portrait of Madame de Montespan Madame de Montespan,  Memoirs of Madame la Marquise de Montespan…

“ In consequence, she cast her eyes upon the rich abbey of Saint Denis, then vacant, and suggested it to the King, as being almost sufficient to provide for the new establishment.
This idea astonished the prince. He found it, at first, audacious, not to say perilous; but, on further reflection, considering that the monks of Saint Denis live under the rule of a prior, and never see their abbot, who is almost always a great noble and a man of the world, his Majesty consented to suppress the said abbey in order to provide for the children.
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Source: Gutenberg

Portrait of Grant Allen Grant Allen,  Paris

“ The interior is mostly pure Early Gothic.
The neighbourhood to Paris, the supremacy of the great saint, and the fact that St. Denis was especially the Royal Abbey, all combined to give it great importance. Under Suger’s influence, Louis VI adopted the oriflamme or standard of St. Denis as the royal banner of France. The Merovingian and Carlovingian kings, to be sure—Germans rather than French—had naturally been buried elsewhere, as at Aix-la-Chapelle, Rheims, and Soissons (though even of them a few were interred beside the great bishop martyr) .
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Source: Gutenberg

P. L. Jacob,  The Arts in the Middle Ages and at the Period of the Renaissance

“ The treasury of the Abbey of Saint-Denis still possessed, at the time of the Revolution, several chefs-d’œuvre produced by the artists whose processes are described by Theophilus; especially the rich mounting of a cup of Oriental agate, bearing the name of Suger, which it is believed he used for the service of mass; and the mounting of an ancient sardonyx vase, known as the cup of the Ptolemies, which Charles the Simple had given to the abbey. ”
Source: Gutenberg

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