Académie Royale de Musique

Definition and stakes

A Dictionary of Music and Musicians (1900)

In the royal letters patent granted to the Abbé Perrin, the first director of the French Opera, or 'Académie Royale de Musique' as from the beginning it was called, free permission was given to 'all gentlemen and ladies wishing to sing in the said pieces and representations of our royal academy without being considered for that reason to derogate from their titles of nobility, or from their privileges, rights, and immunities.' The right to sing seems to have been interpreted as including the right to dance
Source: Wikisource

Famous Composers and Their Works…

In order to procure for themselves more easily than had hitherto been possible the enjoyment of a good Italian opera, a stock company was now formed by the most illustrious and wealthiest art amateurs of London, who, in 1720, founded an academy of music. For model they had in mind the Paris Academie de Musique, and as the king took a box at the opera-house, paying for it a very considerable sum, they were permitted to call themselves the "Royal" Academy of Music. Before arrangements were fully completed, Handel was sent to the continent for the purpose of obtaining suitable Italian singers.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature