Musicianship

Definition and stakes

Edward J. Dent,  Handel

“ Mainwaring unjustly credited Zachow with Leporin's love of a cheerful glass, and other biographers have perhaps for this reason greatly underrated Zachow's musicianship. Zachow cannot indeed be classed as a great composer, but he was considerably more than merely a sound average teacher. For one thing, he possessed a large library of music. Handel was not only made to master the arts of counterpoint and fugue, but he was also set to study the works of other composers, and to train his sense of style by writing music in direct imitation of them. ”
Source: Gutenberg

Thomas Carlyle,  Sartor Resartus, and On Heroes… (1901)

“ If your delineation be authentically musical, musical, not in word only, but in heart and substance, in all the thoughts and utterances of it, in the whole conception of it, then it will be poetical; if not, not.—Musical: how much lies in that! A musical thought is one spoken by a mind that has penetrated into the inmost heart of the thing; detected the inmost mystery of it, namely the melody that lies hidden in it; the inward harmony of coherence which is its soul, whereby it exists, and has a right to be, here in this world. All inmost things, we may say, are melodious ”
Source: Wikisource

Francis B. Pearson,  The Vitalized School

“ Music and life.—Having a sensory foundation capable of reacting to the best music, this man opens wide the portals of his world for the reception of the orchestra, the concert, the opera, and the choir, and his spirit revels in the “concord of sweet sounds.” Through the toil of the day he anticipates the music of the evening, and the next day he goes to his work buoyant and rejuvenated by reason of the musical refreshment. He has music in anticipation and music in retrospect, and thus his world is regaled with harmony. ”
Source: Gutenberg

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