Antoine-Louis Barye

Definition and stakes

Elisabeth Luther Cary,  Artists Past and Present; Random Studies

“ From a bronze by Barye
One point worthy of note in any comparison between Barye's animals and his human beings is the intensity and subtlety of expression in the former and the absence of any marked expression in the latter. His men are practically masked. No passion or emotion makes its [Pg 17] impression on their features. Even their gestures, violent though they may be, seem inspired from without and not by the impulse of their own feelings.
”
Source: Gutenberg

Henri Frantz,  1911 Encyclopædia Britannica (1910)

“ Barye was no less successful in sculpture on a small scale, and excelled in representing animals in their most familiar attitudes. As examples of his larger work we may mention the Lion of the Column of July, of which the plaster model was cast in 1839, various lions and tigers in the gardens of the Tuileries, and the four groups—War, Peace, Strength, and Order (1854) . ”
Source: Wikisource

Elisabeth Luther Cary,  Artists Past and Present; Random Studies

“ We see clearly enough the angry jaws, the curled tail, the weight of the attacking beast falling on the head of its victim, dragging it toward the ground. Nothing is slighted or compromised. We see even the gash in the flesh made by the panther's claws and the drops of blood trickling from the wound. But we have to thank Barye's instinct for refined conception that these features of the work do not claim and hold our attention which is absorbed by the vital line, the gracious sweep of the contours, the lovely surface, and the omission of all irrelevant and unreasonable detail. ”
Source: Gutenberg

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