Francis William Lauderdale Adams,
Essays in Modernity: Criticisms and Dialogues
(1899)
“ The sicklier side of the art of Byron, Keats, and Shelley was absolutely to his taste. The audacity and manly scorn of Byron, the high, clear, spiritual note of Keats, the restless, searching lamentation of Shelley, fell unregarded on his ears. Such gifts were either above and beyond him, or they troubled his 'lisping in love's delicious creeds,' whose girlish votaresses sit 'steeped in golden languors,' 'languors of love-deep eyes,' and he would have none of them. His one resolute instinct here is to look nothing in the face. He would make of life a pretty play. ”
