Edinburgh Tolbooth

Definition and stakes

Wilson's Tales of the Borders and of Scotland…

“ Neither the two gentlemen who conversed with the rioters at the Tolbooth, nor those who were sent out by the magistrates to see if they knew any of them, could say they had ever seen any one of them before, though the flames of the fire at the Tolbooth door rendered it as light as noonday; so that it was generally believed no citizen acted any principal part in the tragedy; though, indeed, it is certain that many of the burgesses and inhabitants of Edinburgh, led by curiosity, went to the streets to behold the surprising boldness and incredible extravagance of the scene. ”
Source: Gutenberg

Charles S. Olcott,  The Country of Sir Walter Scott

“ All the other objects of interest,—the fine old Cathedral, the Parliament House, the Market Cross, the grave of John Knox—were as nothing compared to the figure of a heart, outlined in the pavement, designed to mark the site of the old Tolbooth, but more strongly reminding the visitor, not of an ancient prison, but of a great novel, and impressing him with the feeling that, wherever one may go in Edinburgh, the spirit of Sir Walter Scott seems to permeate the very atmosphere. ”
Source: Gutenberg

Richard Burton,  Masters of the English Novel: A Study of Principles and Personalities

“ To study the peerlessly pathetic tale of Effie and Jeanie Deans is to see Scott at his representative best and note the headmarks of his genius: it is safe to say that he who finds nothing in it can never care for its author.
The first thing to notice in this novel of the ancient Edinburgh Tolbooth, this romance of faithful sisterhood, is its essential Scotch fiber. The fact affects the whole work. It becomes thereby simpler, homelier, more vernacular: it is a story that is a native emanation. The groundwork of plot too is simple, vital: and moreover, founded on a true incident.
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Source: Gutenberg

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