Grand Opera House

“ If you can bring into focus, simultaneously, a good revue and a production of grand opera at the Metropolitan Opera House, the superiority of the lesser art is striking. Like the revue, grand opera is composed of elements drawn from many sources; like the revue, success depends on the fusion of these elements into a new unit, through the highest skill in production. And this sort of perfection the Metropolitan not only never achieves—it is actually absolved in advance from the necessity of attempting it. ”

“ It was not alone the official title of the French institution, popularly spoken of as the Grand Opéra, which was in the minds of the promoters of the New York enterprise—the new opera house was to be a veritable academy of music, an educational institution. Not only was fashionable society to have a place in which to display and disport itself, but popular taste and popular knowledge were to be cultivated. ”

“ The sound vibrations seem to travel around and around and great confusion of tones is the result, especially in such music where changing harmonies succeed each other rapidly. At our little preliminary rehearsal the hall was empty with the exception of half a dozen members of the Santa Cecilia, and as we began to play through a few bars of the symphony I thought I had suddenly become deaf, as the sound of the orchestra did not reach me where I stood. But I remembered our first experience at the Grand Opera House in Paris and trusted to better conditions when the hall was full. ”

“ I believe that in coming years by my own work and that of Dickson, Muybridge, Marié and others who will doubtless enter the field, that grand opera can be given at the Metropolitan Opera House at New York without any material change from the original, and with artists and musicians long since dead. ”

“ Here is the residence of Hamilton Fish and William M. Evarts. St. George Church, with the largest seating capacity of any church in the city, faces this square.
Booth's Theatre is on the corner of Sixth avenue and Twenty-third street. It is the most magnificent place of amusement in America; built in the Renaissance style, with a Mansard roof. Opposite is the Masonic Temple, in Ionic and Doric architecture. At the corner of Eighth avenue and Twenty-third street is the Grand Opera House, once owned by James Fisk, Jr.
New York is at once spendthrift and parsimonious in the naming of her streets. ”

“ Writers on fire with the romance of this continental city love to speak of the splendors of the French Opera House, the first place in the country where grand opera was heard, and tell of the tiers of beautiful women with their jewels and airs and graces. ”

“ The prelude to this homely opera is like the blessing before a meal. It is peaceful and soothing, and might be called a pastorale.
As the curtain rises we are greeted with the chatter and laughter of childish voices: two innovations at one stroke, for real children and real laughter have never before held a place in grand opera. This first scene of "Werther" forms a pleasing summer picture. We see the garden and terrace of a simple country house, whose owner, the town bailiff, is seated upon the veranda surrounded by his six children, to whom he is teaching a Christmas carol. ”

“ The evening newspapers had heralded our coming, and we encountered a large crowd outside the opera house, and were met by a barrage of cameramen's flashlights as we entered. Once inside, the crush about us was so great, we had considerable difficulty in reaching Mrs. Van Dyk's box, in the parterre. Although grand opera now was democratized, the "diamond horseshoe" still remained. ”

“ The scheme languished, and in 1881 Punch records that the unfinished Opera House was being converted, not musically, into "flats." By the summer of 1884 the project collapsed entirely, and Punch's comments on "A Beggar's Opera House" are not without their point to-day:—
The sale by auction last week of what the retiring newspaper paragraph chronicling the melancholy fact described as the "materials of the unfinished Grand National Opera House on the Thames Embankment," cannot but afford food even to the least artistic mind for some rather disagreeable reflections. ”

“ We're organising as "The Madame da Cordova and Rufus Van Torp Company." I'm going to build an opera-house in New York on some land I've got on Fifth Avenue, and Miss Donne is going to run it, and we mean to have Wagner festivals and things, besides regular grand opera, in which she's engaged to sing as often as she likes. There's never been an opera-house on Fifth Avenue, but there's going to be, and people will go to it. ”

“ Far more important than language, however, is it that opera be sung by great artists. For these assimilate music-3- and give it forth in all its essence of truth and beauty. Were great artists to sing opera in Choctaw, it would still be welcome as compared with opera rendered by inferior interpreters, no matter in what language.
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Opera Before Gluck
GLUCK'S "Orfeo ed Euridice" (Orpheus and Eurydice) , produced in 1762, is the oldest opera in the repertoire of the modern opera house. But when you are told that the Grand Opéra, Paris, was founded by Lully, an Italian composer, in 1672 ”

“ The new Opera House, commenced under the Empire and finished under the Republic, is the most complete building of the kind in the world and in many respects the most beautiful. No European capital possesses an opera house so comprehensive in plan and execution, and none can boast an edifice equally vast and splendid. ”

“ In the United States the Opera has always lived the life of an exotic. Finding congenial soil in some of the larger and wealthier cities, it has there flourished for a while, then suddenly drooped and withered. Large and elegant theatres, to which have been applied the dignified title of Academy of Music or Opera House, have been built, it having been, in some cases, the primary purpose of the owners to devote the establishment solely to representations of the lyric drama. ”

“ The music is as stirring, the company as numerous, the spirits as light, the women as beautiful, as ever they were in the old days of prosperity, when the Opera-House was bright and fresh as paint and paper, tinsel and brocade, could make it. To the eyes which are not dazzled by the sight of so much youth and beauty and jollity, the broken stucco of the mouldings and the faded, musty cushions of the chairs may be visible. ”

“ The Opera-house referred to in the extract above quoted, is the Academie Nationals de Musique, or French Opera-house, also sometimes called the new Opera-house. It is generally admitted to be the finest Opera-house in the world. The space covered by this magnificent building is 140 metres by 122, (about 470 feet by 410) , or nearly four and a half acres. It has seats for 2,520 spectators. The staircases, walls and ceiling are of the finest marble. The "house" for the spectators or audience is built entirely of stone and iron, rich in decorations and thick with gold. ”

“ Indeed, some of the wretched, slipshod performances that have been given under the name of grand opera in America, would be hissed from the stage in London, Paris, or Italy. In operatic performances in America, we have the parts of two or three principals well done, but all else slipshod and imperfect, and the effect of the opera itself too frequently marred by the outrageous cuttings, transpositions, and alterations made by managers to adapt it to their resources. ”

“ When you sit through a performance of grand opera—almost any one of those combinations of drama and music which retain their hold upon the public—you cannot fail to be impressed by the tragic misfortunes which pursue the hero and heroine. The wise composers of grand opera see to it that the principal tenor and the prima donna have troubles calculated to call forth their highest powers of vocal expression. ”

“ Groups of the singers regularly engaged in the opera house stand in the wings, and you feel a nameless hostility emanating from all of them, especially from the one whom you are going to try to supplant. The theatre is like a cavern, and the acoustic is of course totally unknown to you. Two or three pale spots down in the orchestra chairs indicate the whereabouts of the director and perhaps the stage manager and first Kapellmeister who have come to hear you. The overhead "rehearsal lights" are very unbecoming and you are quite conscious of it. ”

“ As to my much demurred-to relegation of Night Falls On The Gods to the category of grand opera, I have nothing to add or withdraw. Such a classification is to me as much a matter of fact as the Dresden rising or the police proclamation; but I shall not pretend that it is a matter of such fact as everybody's judgment can grapple with. People who prefer grand opera to serious music-drama naturally resent my placing a very grand opera below a very serious music-drama. ”

“ This in itself is not much to boast of, for the entertainment of the ballet is independent of language to a still greater extent; and La Gitana or Esmeralda can be as well understood by an Englishman at the Opera House of Berlin or of Moscow as at Her Majesty's Theatre in London; while perhaps the most universally intelligible drama ever performed is that of Punch, even when the brief dialogue which adorns its pantomime is inaudible.
Opera is music in a dramatic form; and people go to the theatre and listen to it as if it were so much prose. ”

“ About all is the atmosphere of history, tradition, and the aura of a genuinely free people. The Royal Opera House itself has a particular fascination for me. So far as I am concerned, there is not the slightest incongruity in the fact that its façade looks out on a police station and police court and that it is almost otherwise surrounded by a garden market. ”

“ No person of good taste ever goes to a theatre to look at the fronts of the boxes. Comfortable and roomy seats, perfect cleanliness, decent and fitting curtains and other furniture, of good stuff, but neither costly nor tawdry, and convenient, but not dazzling, light, are the proper requirements in the furnishing of an opera-house. ”

“ Should the foreigner be fortunate enough to possess a friend with one of these seats who is willing to sacrifice a concert for his benefit, he will hear a marvellous orchestra. For a short time the scene of this unique harmony of sound was shifted from the neighbourhood of the Upper Boulevards to the boards of the Opera-house, and the result was sheer disaster. The orchestra of the Conservatoire is just suited to its own select little hall, but it is too delicate, too perfect, for transposition to a big theatre like the Opera-house of Paris. ”

“ He trusted her to make the best of it.
"Why didn't you ask me to come and see your rooms after we'd had lunch at Wrigglesworth's?" she said presently and, expecting simplicity, counting upon understanding, even he was surprised.
"Ask you there? To those rooms? Over the little greengrocer's shop? Up those uncarpeted wooden stairs?"
And then they found themselves under the portico of the Opera House; in another moment in the crush of people in the vestibule; then making their way round the cheaply-papered boxes along the ugly little passages to the stage-box on the third tier. ”

“ It was, therefore, one of the most lucky accidents in the history of American music that the Metropolitan Opera House was built, in opposition to the Academy of Music, by a number of the richest people in New York, who had made up their minds to spare no cost to make it successful and to annihilate the rival house. ”

“ The Opera House was a symbol to me—it made my secret ambition to be an actress seem more than a dream—and I had had thrilling afternoons there enjoying matinees of the many road companies as well as at our own McCourt Hall, which had been the theatrical center before the Opera House was built. ”

“ Operatic music also receives careful attention. Enormous subsidies are given to secure the principal singers of Europe at the Italian, French, and German theaters; but the most lavish outlay is upon the national opera: it is considered a matter of patriotism to maintain it at the highest point possible. The Russian Opera House is an enormous structure, and the finest piece which I saw given there was Glinka's "Life for the Czar." ”

“ We have taken a suite of rooms in the Clarendon Hotel, so as to be near the opera-house, where I go to practise with the orchestra. You cannot imagine how intense the whole thing is.
To feel that I can hold a great audience, like the one that greeted me the first night, in my hand, and to know that I can make them laugh or cry whenever I please—to see the mass of upturned faces—is an inspiring sensation. The applause bewildered me at first, and I was fearfully excited; but one gets used to all things in the end. ”

“ Without being more curious than my neighbors, there are several social mysteries that I should like to fathom, among others, the real reasons that induce the different classes of people one sees at the opera to attend that form of entertainment.
A taste for the theatre is natural enough. It is also easy to understand why people who are fond of sport and animals enjoy races and dog shows. But the continued vogue of grand opera, and more especially of Wagner’s long-drawn-out compositions, among our restless, unmusical compatriots, remains unexplained. ”