Werther

“ Yesterday, when I took leave she seized me by the hand, and said, "Adieu, dear Werther." Dear Werther! It was the first time she ever called me dear: the sound sunk deep into my heart. I have repeated it a hundred times; and last night, on going to bed, and talking to myself of various things, I suddenly said, "Good night, dear Werther!" and then could not but laugh at myself. ”

“ I will claim you, and remain in your eternal embrace, in the presence of the Almighty.
"I do not dream, I do not rave. Drawing nearer to the grave my perceptions become clearer. We shall exist; we shall see each other again; we shall behold your mother; I shall behold her, and expose to her my inmost heart. Your mother—your image!"
About eleven o'clock Werther asked his servant if Albert had returned. He answered, "Yes;" for he had seen him pass on horseback: upon which Werther sent him the following note, unsealed:
" Be so good as to lend me your pistols for a journey. ”

“ Suicide, it was indignantly clamoured, was sophistically justified in the person of Werther, and was clothed in such specious hues as to present it in the light of a natural means of [Pg 197] escape from the troubles of life. On the ground of these supposed sinister implications the sale of Werther was prohibited in Leipzig under a penalty of ten thalers, a translation of it was forbidden in Denmark, and the Archbishop of Milan ordered it to be publicly burned in that town. ”

“ Ardent and enthusiastic, wanting force and patience—life is evidently not made for them. Such is Werther. Goethe had not created him to live, and he knew this well; so that when some German author, I know not whom, undertook to correct the catastrophe of the romance, and make Werther live instead of committing suicide, Goethe said—'The poor man has no idea that the evil is without remedy, and that a mortal insect has stung our Werther in the flower of his youth.'
What is this mortal insect that has stung the youth of Werther? ”

“ I had cut out the vignette, and placed it among my most favourite engravings. I then, by way of quiet, innocent revenge, composed a little burlesque poem, "Nicolai at the grave of Werther:" which, however, cannot be communicated. On this occasion, too, the pleasure of giving everything a dramatic shape, was again predominant. I wrote a prose dialogue between Charlotte and Werther, which was tolerably comical; Werther bitterly complains that his deliverance by chickens' blood has turned out so badly. His life is saved, it is true, but he has shot his eyes out. ”

“ It is bright and light, and full of fluttering phrases—a veritable song of spring.
When Albert and Sophia are gone, Werther cries out with explosive candor, "I told a falsehood!" He is wretched beyond compare. He can not cease loving, and he dare not cease lying.
Charlotte comes from the church, and, greeting him kindly, asks if he, too, is going to the parsonage. They speak lightly but feel deeply, as is evidenced by the music. That wondrous love-theme softly surrounds them like the magic fire of the Walküre. The harmonies mount up from the instruments like flames from living embers. ”

“ Conquer yourself; make an effort: a short journey will be of service to you. Seek and find an object worthy of your love; then return hither, and let us enjoy together all the happiness of the most perfect friendship."
"This speech," replied Werther with a cold smile, "this speech should be printed, for the benefit of all teachers. My dear Charlotte, allow me but a short time longer, and all will be well." "But however, Werther," she added, "do not come again before Christmas." He was about to make some answer, when Albert came in. ”

“ Before morning appeared, her voice was weak; it died away like the evening breeze among the grass of the rocks. Spent with grief, she expired, and left thee, Armin, alone. Gone is my strength in war, fallen my pride among women. When the storms aloft arise, when the north lifts the wave on high, I sit by the sounding shore, and look on the fatal rock.
"Often by the setting moon I see the ghosts of my children; half viewless they walk in mournful conference together."
A torrent of tears which streamed from Charlotte's eyes and gave relief to her bursting heart, stopped Werther's recitation. ”

“ In his conception of the tale, and in his choice of form, Goethe was deeply indebted both to Richardson and to Rousseau, but especially to Rousseau, the spirit of whose “La Nouvelle Héloïse” breathes in every line of “Werther.” “La Nouvelle Héloïse,” however, is a book{61} of the past, interesting only to students of literature and of the history of ideas, whereas “Werther” is still alive, and can never wholly lose its freshness.
Werther has many qualities that excite interest and sympathy. He has a deep vein of poetry; Nature appeals to him strongly ”

“ Expelled from a society which he anathematises because he can find no place in it, he roams through a new world, through primeval forests inhabited by savage tribes. A new element, not to be found in Werther, has entered into his soul—the element of melancholy. Werther declares again and again that nothing is so obnoxious to him as ill-humour and despondency; he is unhappy, but never melancholy. René, on the other hand, is lost in an idle grief which he is unable to control. He is heavy-hearted and misanthropical. ”

“ Werther, and Faust, and Lohengrin, are far more real than those scarecrows autocracy, bureaucracy, and militarism, triplets of straw, premature births, not destined to live, of which Germany boasts to-day as the most precocious children in the world. They are just that, precocious children, teaching the pallid religion of dependence upon the state and enforcing the anarchical morality of man’s despair of himself. ”

“ Picture to yourself Lovelace, and Henri Quatre, and the Regent, and Werther, and Saint-Preux, and Rene, and the Marechal de Richelieu—think of all these in a single man, and you will have some idea of their way of love. What lovers! Eclectic of all things in love, they will serve up a passion to a woman’s order; their hearts are like a bill of fare in a restaurant. ”

“ Even Albert, generally so tranquil, had quite lost his composure; and I was excited beyond expression.
"And such a being," She continued, "was to leave us, Werther! Great God, must we thus part with everything we hold dear in this world? Nobody felt this more acutely than the children: they cried and lamented for a long time afterward, complaining that men had carried away their dear mamma."
Charlotte rose. It aroused me; but I continued sitting, and held her hand. "Let us go," she said: "it grows late." ”

“ If you find no pleasure in ‘The Sorrows of Werther,’ Goethe has created other beautiful works. He is the author of the tragedy of ‘Stella.’”
“That sentimental, immoral piece, which we forbid the representation of in Berlin, because it portrays a fellow who made love to two women at once, playing the double role of lover to his wife and his paramour, while he had a grown-up daughter! It is an immoral piece, which excites the tear-glands, and ends as ‘Werther,’ by the hero blowing his brains out. ”

“ But the impetuous lover in Werther's Sorrows is here a brother and true friend. He becomes helpful, noble, and good, his own words, eager to cherish his friend, to smooth her pathway through life; his extraordinary and extravagant genius is calm and tempered. Frau von Stein brings forth the pure and religious forces of his nature. His hot blood becomes chastened; he himself calls the higher inner life that grows and strengthens itself within him "Purity," and his poesy, too, becomes Purity realized. ”

“ This, however, was not the lesson which was drawn from it by Goethe’s contemporaries; they shed tears of sympathy over the lovelorn youth whose burden becomes too great for him to bear. While Götz inaugurated the manlier side of the Sturm und Drang literature, Werther was responsible for its sentimental excesses. And to the sentimental rather than to the heroic side belongs also Stella, “a drama for lovers,” in which the poet again reproduced, if with less fidelity than in Werther, certain aspects of his own love troubles. ”

“ No sooner had he left Wetzlar than his heart was open to the charms of Maxe Brentano, and, during the months that followed, her image and that of Lotte Buff alternately distracted his susceptibilities. Byron declared that he was capable of only one passion at a time, but Goethe was always capable of at least two. The other characteristic equally distinguishes Goethe from Werther. "I turn in upon myself," Werther writes, "and find a world—but a world of presentiments and of dim desires, not a world of definite outlines and of living force." ”

“ Charlotte had slept little during the past night. All her apprehensions were realised in a way that she could neither foresee nor avoid. Her blood was boiling in her veins, and a thousand painful sensations rent her pure heart. Was it the ardour of Werther's passionate embraces that she felt within her bosom? Was it anger at his daring? Was it the sad comparison of her present condition with former days of innocence, tranquillity, and self-confidence? ”

“ Awfully in sympathy with our sensations is the ghastly scenery at the top of the Gemmi—the black lake, which is frozen all the year round, and the dismal, miserable inn beside it, which is the scene of Werther's horrible tragedy, of which I have so often since told the foundation-story.
My Uncle Penrhyn paid us a visit at Thun, with his daughter Emmie and a cousin, and I afterwards joined them at Lucerne, and was their guest in a most happy excursion to Andermatt. Afterwards I went alone to Engelberg, the village and great Benedictine convent in the green Alps under the Tetlis mountains. ”

“ On the occasion of their meeting, Napoleon reproached Goethe for having mixed up the love-story with the revolt against society; the reproach was unreasonable, for the two are indissolubly connected; it is only together that they express the idea of the book.
Unlike La Nouvelle Héloïse, Werther is no glorification of the triumph of virtue and deistic piety over natural instincts and passions; it represents passion running its predestined course. In this tragedy of the human heart, the law-defying being and the lawless passion meet their inevitable doom. ”

“ By its exuberant fulness of life, its bluff German heartiness, and the freshness and variety of its scenes, it took the public by storm, notwithstanding its disregard of the approved rules of play-writing.
[Illustration: JOHANN WOLFGANG VON GOETHE From the Painting by J.
Stieler]
The next year he published The Sufferings of Young Werther, a tragic tale of a weak-willed sentimental youth of hyperesthetic tendencies, who commits suicide because of disappointment in love. ”

“ We again revert, therefore, to the lecture upon suicide, for the sake of a remark that we find there upon Werther, and on its celebrated author. It is rarely that we hear any one speak out so plainly upon Goethe. ”

“ One of us three must die: it shall be Werther. O beloved Charlotte! this heart, excited by rage and fury, has often conceived the horrid idea of murdering your husband—you—myself! The lot is cast at length. And in the bright, quiet evenings of summer, when you sometimes wander toward the mountains, let your thoughts then turn to me: recollect how often you have watched me coming to meet you from the valley; then bend your eyes upon the churchyard which contains my grave, and, by the light of the setting sun, mark how the evening breeze waves the tall grass which grows above my tomb. ”

“ The Sorrows of Werther lays hold of the subjective problems of the age just as the drama of liberty lays hold of the objective; in them a typical character of the times is analyzed not without zealously making use of models—both innovations of Wieland! But now indeed comes the most important of all, that which in its greatness represents something completely new, although in detail Goethe had here all his teachers to teach him—Lessing who had written Faust-scenes, and Wieland who was so fond of placing the two souls of man side by side, and Herder who had an absolutely Faust-like nature ”

“ This tells the story of a Werther-like youth who is to be saved from Werther's fate by finding a work to do. His "mission," apparently, is to become a good actor and to promote high ideals of the histrionic art. Incidentally he is ambitious to be a dramatic poet, and his childhood is simply that of Wolfgang Goethe. For reasons intimately connected with his own development Goethe finally decided to change his plan and his title, and to present Wilhelm's variegated experiences as an apprenticeship in the school of life. ”

“ We may assume that the king had at no time the slightest intention of acceding to the demand for guarantees; but it seems to us impossible to maintain that Werther's report, which was put into his majesty's hand at such a critical moment, and which undeniably gave serious offence, did not exacerbate relations which had already been strained, or induce the king to break off abruptly the personal negotiations with the French minister. ”

“ A tragic end to Werther Goethe had before him from its first conception, as is proved by his eagerness to ascertain the details of Jerusalem's suicide. But to justify dramatically such an end to his hero, certain modifications in the relations of all the three characters were rendered necessary, and again his own experience suggested the mode of treatment. In the uncomfortable relations that had arisen between himself and the Brentanos, husband and wife, he found a situation which would naturally involve a catastrophe in the case of a character constituted like Werther. ”