Great Sphinx of Giza

Definition and stakes

by Howard Phillips LovecraftGhostwritten for Harry Houdini Imprisoned with the Pharaohs (1924)

It must have been a dream, or the dawn would never have found me breathing on the sands of Gizeh before the sardonic dawn-flushed face of the Great Sphinx.
The Great Sphinx! God!—that idle question I asked myself on that sun-blest morning before. . . what huge and loathsome abnormality was the Sphinx originally carven to represent?
Accursed is the sight, be it in dream or not, that revealed to me the supreme horror—the unknown God of the Dead, which licks its colossal chops in the unsuspected abyss, fed hideous morsels by soulless absurdities that should not exist.
Source: Wikisource

Clara Erskine Clement Waters A History of Art for Beginners and Students…

One of the figures often repeated by the sculptors of Egypt was the Sphinx. The colossal and most famous one (Fig. 5) is not far from the great pyramid, and has the form of a recumbent lion with a human head. It is one hundred and seventy-two feet long, and is the Sphinx of the world; but there were great numbers of these strange figures in Egypt—in some cases there were avenues leading to the temples bordered by them on each side. The form of the Sphinx was intended to express some spiritual thought to the Egyptians, and the stories about it are very interesting.
Source: Gutenberg

by Howard Phillips LovecraftGhostwritten for Harry Houdini Imprisoned with the Pharaohs (1924)

Then the dream faces took on human resemblances, and I saw my guide Abdul Reis in the robes of a king, with the sneer of the Sphinx on his features. And I knew that those features were the features of Khephren the Great, who raised the Second Pyramid, carved over the Sphinx's face in the likeness of his own and built that titanic gateway temple whose myriad corridors the archaeologists think they have dug out of the cryptical sand and the uninformative rock.
Source: Wikisource

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