Summary

Various The Atlantic Monthly, Volume 05…

Too well those golden shores recall the wail of women and the yelling curses of men, driven, beast-fashion, to their pen, and floated from home to hell, or,—happier fate!—dragged up, in terror of pursuit, and thrown overboard, a brief agony for a long one. They know them, too, whose continual cry of separation, starvation, insult, agony, and death rises from the heart of freedom like the steam of a great pestilence,—Pity them, hearts of flesh! pity also the captors,—the Sphinx children, the flint-hearts! pity those who cannot feel, far beyond those who can,—though it be but to suffer!
Source: Gutenberg

Various The Atlantic Monthly, Volume 05…

So he began to study Shakspeare,—not, as he had studied the philosophers, to pluck out and make his own some cosmical, pervading thought, but to find matter for Art-purposes. I think, that, if ever there was a born artist, who united to a fine æsthetic sense the fervor of a devotee, Clarian was that one, heart and soul. Some men make a mistress of Art, and sink down, lost in sensual pleasure and excess, till the Siren grows tired and destroys them. Other men wed Art, and from the union beget them fair, lovely, ay, immortal children, as Raphael did.
Source: Gutenberg

Various The Atlantic Monthly, Volume 05…

Though away in the wilds of California a theatre was often erected next after a hotel, the second building in a town, and the strolling player would summon the miners by his trumpet when not one was in sight, and instantly a swarm peeped forth from the earth, like the armed men who sprang from the furrows that Cadmus ploughed,—though the wildest and rudest of Western cities and the wildest and rudest inhabitants of Western towns are quick to acknowledge the charms of the stage,—yet also the most highly cultured and the most intellectual Americans pay the same tribute to this art.
Source: Gutenberg

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