Henri Rousseau

Definition and stakes

Henri Frédéric Amiel,  Amiel's Journal: The Journal Intime of Henri-Frédéric Amiel

“ They were the able men—Rousseau is a visionary. They knew mankind as it is—he always represented it to himself either whiter or blacker than it is; and having begun by taking life the wrong way, he ended in madness. In the talent of Rousseau there is always something unwholesome, uncertain, stormy, and sophistical, which destroys the confidence of the reader; and the reason is no doubt that we feel passion to have been the governing force in him as a writer: passion stirred his imagination, and ruled supreme over his reason. ”
Source: Gutenberg

Henri Frédéric Amiel,  Amiel's Journal: The Journal Intime of Henri-Frédéric Amiel

“ To pick a quarrel with the world is attractive, but dangerous.
J. J. Rousseau is an ancestor in all things. It was he who founded traveling on foot before Töpffer, reverie before “René,” literary botany before George Sand, the worship of nature before Bernardin de S. Pierre, the democratic theory before the Revolution of 1789, political discussion and theological discussion before Mirabeau and Renan, the science of teaching before Pestalozzi, and Alpine description before De Saussure. He made music the fashion, and created the taste for confessions to the public.
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Source: Gutenberg

Henri Frédéric Amiel,  Amiel's Journal: The Journal Intime of Henri-Frédéric Amiel

“ This young maestro is like the violin he writes about, vibrating and passionate; he has, besides delicacy, point, grace, all that a writer wants to make what is simple, naïve, heartfelt, and out of the beaten track, acceptable to a cultivated society.
How to return to nature through art: there is the problem of all highly composite literatures like our own. Rousseau himself attacked letters with all the resources of the art of writing, and boasted the delights of savage life with a skill and adroitness developed only by the most advanced civilization.
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Source: Gutenberg

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