“ There is a magnificent drawing of the series of “Le Public du Salon,” old classicists looking up, horrified and scandalized, at the new romantic work of 1830, in which the faces have an appalling gloom of mystification and platitude. We feel that Daumier reproduces admirably the particular life that he sees, because it is the very medium in which he moves. He has no wide horizon; the absolute bourgeois hems him in, and he is a bourgeois himself, without poetic ironies, to whom a big cracked mirror has been given. His thick, strong, manly touch stands, in every way, for so much knowledge. ”
Honoré Daumier
Definition and stakes
Honoré Daumier (1808–1879), a French painter, sculptor, and printmaker, is renowned for his sharp social and political critiques conveyed through caricature and realism. His body of work, comprising 4,000 lithographs and 500 paintings, examined French society—from monarchy to the bourgeoisie—merging satire with artistic depth. While his contemporaries often failed to recognize his talent, figures such as Charles Baudelaire and later impressionists acknowledged his brilliance.
Authors like Henry James lauded his skill in portraying bourgeois life with unflinching honesty, while Émile Gaboriau’s fictional stories reflected Daumier’s themes of moral struggle. Despite financial hardship and censorship, his influence persists as a link between caricature and fine art, shaping 19th-century visual culture.
Quotes about “Honoré Daumier”
Emile Gaboriau,
The Champdoce Mystery
“ This outburst of passion did not in the smallest degree discompose Daumon. “Your father has many enemies, Marquis,” he resumed, “for his manners are overbearing and exacting; but you have many friends, and among them all you will find none more devoted than myself, humble though my position may be. Many ladies of high rank take a great interest in you. Only a day or two ago some persons were speaking of you in the presence of Mademoiselle de Laurebourg, and she blushed crimson at your name. Do you know Mademoiselle Diana?” Norbert colored. ”
William Alexander Caruthers, The Kentuckian in New-York; or…
“ Damon took all that sort of work off our hands, in the most generous and chivalrous spirit imaginable. His eye was ever bright and ready; there was no sinking into dull student-like lethargy one moment, and flashing out into erratic folly the next; he was ready with lance in rest, to take a tilt against anybody's windmill; at home upon all subjects, being exactly in such a state of refinement as not to be ashamed to show his ignorance, and always eager to acquire information. Nor is his mind dull or unapt; he will rebut or ridicule an adversary with astonishing shrewdness. ”
