Idomeneo

Definition and stakes

Otto Jahn,  Life of Mozart, Vol. 2 (of 3)

“ When Idomeneo names his son as the sacrifice, horror seizes the people (chorus, 24) . During a march (25) Idomeneo with his subjects enters the temple of Neptune, and while the priests prepare for the sacrifice they offer their solemn prayers to the god (26) ; cries of joy are heard from afar, and Arbace hastens in and announces that Idamante has slain the monster in heroic combat. ”
Source: Gutenberg

R. A. Streatfeild,  The Opera (1907)

“ The lovers are still pleading anxiously with each other when a subterranean noise is heard, the statue of Neptune rocks, and a solemn voice pronounces the will of the gods in majestic accents. Idomeneo is to renounce the throne, and Idamante is to marry Ilia and reign in his stead. Every one except Electra is vastly relieved, and the opera ends with dances and rejoicings.
The music of 'Idomeneo' is cast for the most part in Italian form, though the influence of Gluck is obvious in many points, particularly in the scene of the oracle.
”
Source: Gutenberg

Herbert F. Peyser,  Wolfgang Amadeus Mozart

“ While laboring on Zaide he was commissioned by the Bavarian Elector, Carl Theodor, to write an opera seria for the Munich Carnival of 1781. The Munich authorities picked a libretto Idomeneo, re di Creta; ossia Ilia ed Idamante, which was based on a book by Antoine Danchet and which, as composed by André Campra as far back as 1712, had enjoyed a day of fame in Paris. ”
Source: Gutenberg

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