Italian Renaissance

“ THE REVIVAL OF CLASSICAL LEARNING.—About the beginning of the fourteenth century there sprung up in Italy a great enthusiasm for Greek and Latin literature and art. This is what is generally known as the Italian Renaissance, or the New Birth.
The Renaissance divides itself as follows: 1. The revival of classical learning; 2. The revival of classical art. It is with the first only, the intellectual and literary phase of the movement, that we are now concerned. This feature of the movement is called Humanism, and the promoters of it are known as Humanists. ”

“ The enthusiasm and the versatile energy which animated the Italian Renaissance for two centuries sprang from a deep and earnest conviction that the recovered literatures were not only models of style, but treasure-houses of wisdom, guides of life, witnesses to a civilisation higher than any which could then be found upon the earth. ”

“ For a student animated with this passion of curiosity, the Italian Renaissance, independently of any sympathies he may have formed for the Italian people, or any fascination which an age and race so picturesque may exercise, must be a subject worthy of most patient contemplation. ”

“ The Italian Renaissance, supreme in the arts which require a subtle and strong perception of the excellence of mere lines and colours and lights and shadows, which demand unflinching judgment of material qualities; was condemned to inferiority in the art which requires subtle and strong perception of the excellence of human emotion and action; in the art which demands unflinching judgment of moral motives. ”

“ Among the foremost Italian scholars were many exemplars of worthy life and noble character, men whose enthusiasm for letters was joined to moral qualities which compel respect and admiration. And no transient phase of fashionable paganism could mar the distinctive merits of the Italian Renaissance, or affect its permanent results. Italian humanism restored good standards of style in prose and verse, thereby benefiting not classical studies alone, but modern literature as well ”

“ Hence the Italian Renaissance is commonly called Pagan, and hence when young English nobles began to travel to Italy to drink at the fountain head of the new inspiration moralists at home protested with much reason against the ideas and habits which many of them brought back with their new clothes and flaunted as evidences of intellectual emancipation. History, however, shows no great progressive movement unaccompanied by exaggerations and extravagances. ”

“ I call it our English Renaissance because it is indeed a sort of new birth of the spirit of man, like the great Italian Renaissance of the fifteenth century, in its desire for a more gracious and comely way of life, its passion for physical beauty, its exclusive attention to form, its seeking for new subjects for poetry, new forms of art, new intellectual and imaginative enjoyments: and I call it our romantic movement because it is our most recent expression of beauty. ”

“ Italy, freed for a while from both Papacy and Empire, expressed her intellectual energy in the Revival of Learning, developing that bold investigating spirit to which the names of Humanism or of Rationalism may be given. The new learning, the new enthusiasm for inquiry, the new study of the world and man, as subjects of vital interest irrespective of our dreamed-of life beyond the grave, stimulated in Italy what we know as Renaissance; while in Germany it led to what we know as Reformation. The Reformation must be regarded as the Teutonic counterpart to the Italian Renaissance. ”

“ It is as though the Italian nation at this epoch, suffocated by Spanish etiquette, and poisoned by Jesuitical hypocrisy, sought to expand healthy lungs in free spaces of open air, indulging in dialectical niceties and immortalizing street-jokes by the genius of masqued comedy.
This most ancient and intensely vital race had given Europe the Roman Republic, the Roman Empire, the system of Roman law, the Romance languages, Latin Christianity, the Papacy, and, lastly, all that is included in the art and culture of the Renaissance. ”

“ When the Renaissance began to attract attention, some twenty or twenty-five years ago, there happened among English historians and writers on art, and among their readers, something very similar to what had happened, apparently, when the Englishmen of the sixteenth century first came in contact with the Italian Renaissance itself, or whatever remained of it. Their conscience was sickened, their imagination hag-ridden, by the discovery of so much beauty united to so much corruption ”

“ The culture, which formed the great achievement of the Italian Renaissance and which was diffused through Europe, uniting men of all races and all creeds in speculative and literary activity, evoking sympathies and stimulating antagonisms upon vital questions of universal import, was necessary for the evolution of the modern world as we now know it. ”

“ The Reformation, inspired by the same energy of resuscitated life as the Renaissance, assisted by the same engines of the printing-press and paper, using the same apparatus of scholarship, criticism, literary skill, being in truth another manifestation of the same world-movement under a diverse form, now posed itself as an irreconcilable antagonist to Renaissance Italy. It would be difficult to draw any comparison between German and Italian humanists to the disparagement of the former. ”

“ But the Italian of the Renaissance had to bear the first mighty surging of a new age. Through his gifts and his passions, he has become the most characteristic representative of all the heights and all the depths of his time. ”

“ Now that the boon of culture, so hardly won by the students of the fifteenth and sixteenth centuries, has become the common heritage of Europe, it is not always easy to explain the mental grandeur of the Italians in that age. Yet we should fail to recognise their merit, if we did not comprehend that, precisely by this absorption of their genius in the task of the Revival, they conferred the most enduring benefits upon humanity. What the modern world would have been, if the Italian nation had not devoted its energies to the restoration of liberal learning, cannot even be imagined. ”

“ The work accomplished by the Italian Renaissance claims the lasting gratitude of mankind. In the interval between the time of Petrarch and that of Leo X, a space of about a hundred and seventy years, ardent and unceasing labours bridged the gulf between the medieval and the modern world. Latin, the universal language, was purged from barbarism. Latin literature was brought back into the full light of intelligent study. Greek was restored to the West. ”

“ Humanism, the taste for the literature and history of the ancients, awakened the interest of Italian artists in the monuments of their forgotten past, and led them to seek, in the surviving remains of Roman architecture and in the scanty examples of ancient sculpture and painting that chance had brought to light, the secret of beauty.
The attitude of the Early Renaissance toward the antique differed from that of the Late Renaissance. ”

“ The soul of man can by recognising God draw Him into its narrow boundaries, but also by love to Him itself expand into the Infinite—and this is blessedness on earth.
Echoes of mediæval mysticism here flow into one current with Platonic doctrines, and with a characteristically modern spirit. One of the most precious fruits of the knowledge of the world and of man here comes to maturity, on whose account alone the Italian Renaissance must be called the leader of modern ages. ”

“ The great Italian reformer saw and felt that in his own day and in his own country the glory and beauty of the movement had vanished in sensuality; that hardness of heart and indifference to primary human needs had diverted the waters of the Renaissance from their main fertilizing channel. ”

“ We are justified in regarding the literary masterpieces of the sixteenth century as the fullest and most representative expression of the Italian temperament at the climax of its growth. The literature of the golden age implies humanism, implies painting. ... It is not only possible but right to speak of Italy collectively when we review her work in the Renaissance. Yet it should not be forgotten that Italy at this time was a federation, presenting upon a miniature scale the same diversities in her component parts as the nations of Europe do now. ”

“ For beneath the cheerful exterior of the mere [102] well-paid craftsman, chasing brooches for the copes of Santa Maria Novella, or twisting metal screens for the tombs of the Medici, lay the ambitious desire to expand the destiny of Italian art by a larger knowledge and insight into things, a purpose in art not unlike Leonardo's still unconscious purpose; and often, in the modelling of drapery, or of a lifted arm, or of hair cast back from the face, there came to him something of the freer manner and richer humanity of a later age. ”

“ Accordingly, what here follows is no judgment, but rather a string of marginal notes, suggested by a study of the Italian Renaissance extending over some years. The value to be attached to them is all the more qualified as they mostly touch on the life of the upper classes, with respect to which we are far better informed in Italy than in any other country in Europe at that period. ”

“ I cannot help thinking that historians, looking back from the far future, will record this age as the Third Renaissance. We who are lost in it, working or looking on, can neither tell what we are doing, nor where standing; but we cannot help observing, that, just as in the Greek Renaissance, worn-out Pagan orthodoxy was penetrated by new philosophy; just as in the Italian Renaissance, Pagan philosophy, reasserting itself, fertilised again an already too inbred Christian creed; ”

“ The Renaissance would not have been the process of worldwide significance which it is, if its elements could be so easily separated from one another. We must insist upon it, as one of the chief propositions of this book, that it was not the revival of antiquity alone, but its union with the genius of the Italian people, which achieved the conquest of the western world. ”

“ Under these conditions of dismemberment, the Renaissance came to perfection, and the ideal unity of the Italians was achieved. The space of forty years' tranquillity and equilibrium, which preceded Charles VIII.'s invasion, marked an epoch of recombination and consolidation, when the two currents of national energy, learned and popular, met to form the culture of the golden age. After being Tuscan and neo-Latin, the literature which expressed the nation now became Italian. ”

“ As representatives of this struggle, of this antagonism, we may consider Luigi Marsilio and Coluccio Salutati, both learned men who spoke and wrote Latin, who aspired to be humanists, but who meanwhile also loved Dante, Petrarch and Boccaccio, and felt and celebrated in their writings the beauty of Italian literature.
3. The Renaissance.—A great intellectual movement, which had been gathering for a long time, made itself felt in Italy in the 15th century. A number of men arose, all learned, laborious, indefatigable, and all intent on one great work. ”

“ As an introduction to the history of the Revival, and in order that the work to be performed by the Italian students may be accurately measured, it will be necessary to touch briefly upon the state of scholarship during the dark ages. To underrate the achievement of that period, especially in logic, theology, and law, is only too easy, seeing that a new direction was given to the mind of Europe by the Renaissance, and that we have moved continuously on other lines to other objects since the opening of the fifteenth century. ”

“ We are now at length upon the threshold of the true Renaissance. The division between popular literature and humanistic culture is about to end. Classic form, appropriated by the scholars, will be given to the prose and poetry of the Italian language. ”

“ In most histories of Italian art we are conscious of a vast hiatus of several centuries, between the ancient classic art of Rome—which was in its decadence when the Western Empire ceased in the fifth century after Christ—and that early rise of art in the twelfth century which led to the Renaissance. ”

“ In the development, however, which followed the stimulating influence of the Renaissance, each is, in the earlier seventeenth century, at a very different stage. Italy herself is falling into the background, though the superficial influence of Marino is so widespread that a reader might do well to turn to the chapter on Italy among the first. In France, the influence of the Renaissance is practically exhausted, and, despite a taste for Italian and Spanish fashions, the distinctively national movement towards clear thought and symmetrical form proceeds apace. ”

“ From such a result the Florentine masters of the fifteenth century were saved by their high Italian dignity and culture, and still more by their tender pity for the thing itself. They must often have leaned over the lifeless body, when all was at length quiet and smoothed out. ”

“ For the present we must confine ourselves to showing how the civilization even of the vigorous fourteenth century necessarily prepared the way for the complete victory of humanism, and how precisely the greatest representatives of the national Italian spirit were themselves the men who opened wide the gate for the measureless devotion to antiquity in the fifteenth century. ”

“ It was against Italian sensuousness that the finer spiritual perceptions of the Teutonic-515- races rose in revolt; and the Italians, who had transmitted their own religious forms to Europe, could not understand the point at issue. Feeble or insufficient as we may judge this realism in the regions of pure thought or pious feeling, it was supremely powerful in art. It enabled the Italians so to apprehend the mysteries of the faith, and so to assimilate the classic myths, as to find for both a form of beauty in sculpture and in painting. ”