Midsummer Night's Dream

Definition and stakes

William Hazlitt,  Hazlitt on English Literature: An Introduction to the Appreciation of Literature

“ Notes descriptions breathe a sweetness like odours thrown from beds of flowers....
The Midsummer Night’s Dream, when acted, is converted from a delightful fiction into a dull pantomime. All that is finest in the play is lost in the representation. The spectacle was grand; but the spirit was evaporated, the genius was fled.—Poetry and the stage do not agree well together. The attempt to reconcile them in this instance fails not only of effect, but of decorum. The ideal can have no place upon the stage, which is a picture without perspective: everything there is in the fore-ground.
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Source: Gutenberg

Portrait of Georg Brandes Georg Brandes,  William Shakespeare: A Critical Study

“ There is such a flower-month in almost every human life; and this is Shakespeare's.
He was doubtless in love at this time—as he had probably been all his life through—but his love was not an overmastering passion like Romeo's, nor did it depress him with that half-despairing feeling of the unworthiness of its object which he betrays in his Sonnets; nor, again, was it the airy ecstasy of youthful imagination that ran riot in A Midsummer Night's Dream.
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Source: Gutenberg

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