Milanese people

Definition and stakes

Ella Noyes,  The Story of Milan

“ The Milanese as a people do not take a great place in the story of Italian art. They show at no time the spontaneous artistic character which was the blessed birthright of the Florentines, Sienese, Umbrians, Venetians. They granted, however, splendid hospitality to the art of others. Talent of every kind was attracted to this wealthy and luxurious city, and the concourse of foreign artists roused and developed considerable industry in the natives from early times.
Lombardy, and in particular Milan, its principal city, were exposed to influences which did not reach further south.
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Source: Gutenberg

Ella Noyes,  The Story of Milan

“ The Patarini
“Dicetur in posterum subjectum Romæ Mediolanum.”—Arnulphus. The revolt of the Milanese people against the nobles was associated with the great agitation for the reform of the Catholic Church, initiated and carried on in the eleventh century by S. Giovanni Gualberto, San Romualdo and his disciple, Peter Damiano, and by the Cluniac monk, Hildebrand, afterwards Gregory VII. This movement had its political aspect.
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Source: Gutenberg

Ella Noyes,  The Story of Milan

“ The Reign of Faction
“Factions alone are the cause of our great ills.”—Prato. So wrote a Milanese chronicler in the sixteenth century. Had the people but one mind, he adds, assuredly no city would be more pleasant and fortunate than theirs. His complaint holds equally good for the thirteenth century. The presence of a foreign invader did indeed produce a temporary union of heart and hand, and so far the earlier generations show a noble contrast to their descendants of three hundred years later.
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Source: Gutenberg

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