Pierre Quarteron

Definition and stakes

Portrait of Émile Zola Émile Zola,  The Three Cities Trilogy: Rome…

“ Dario never ceased smiling, and slightly inclining his head while he repeated to Pierre the names of princes and princesses, dukes and duchesses—high-sounding names whose flourish had filled history, whose sonorous syllables conjured up the shock of armour on the battlefield and the splendour of papal pomp with robes of purple, tiaras of gold, and sacred vestments sparkling with precious stones. And as Pierre listened and looked he was pained to see merely some corpulent ladies or undersized gentlemen, bloated or shrunken beings, whose ill-looks seemed to be increased by their modern attire. ”
Source: Gutenberg

Portrait of Émile Zola Émile Zola,  The Three Cities Trilogy: Rome…

“ And a sudden thought of death came to the priest as he saw her, so young and so radiant with beauty, half fainting beside that marble resting-place where fauns were rushing upon nymphs in a frantic bacchanal which proclaimed the omnipotence of love—that omnipotence which the ancients were fond of symbolising on their tombs as a token of life's eternity. And meantime a faint, warm breeze passed through the sunlit, silent garden, wafting hither and thither the penetrating scent of box and orange.
"One has so much strength when one loves," Pierre at last murmured.
”
Source: Gutenberg

Portrait of Émile Zola Émile Zola,  The Three Cities Trilogy: Rome…

“ For a moment Pierre fancied that the Palatine had vanished, for he could scarcely see the dark fringe of cypresses; it was as though the dust of its ruins concealed the hill. But the Quirinal was even more obscured; the royal palace seemed to have faded away in a fog, so paltry did it look with its low flat front, so vague in the distance that he no longer distinguished it; whereas above the trees on his left the dome of St. Peter’s had grown yet larger in the limpid gold of the sunshine, and appeared to occupy the whole sky and dominate the whole city! ”
Source: Gutenberg

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