Puru

“ The daughter of Kâla is Jarâ or decrepitude.
The Yavanas are diseases or infirmities.
Fear is the King of all diseases and infirmities viz., Death.
Prajvâra is destructive fever.
As long as Purusha does not know his real self, but identifies himself with the Gunas of Prakriti, he becomes subject to births and deaths. The only remedy for this malady is pure devotion to Guru and to Bhagavân. By such devotion, dispassion and wisdom are both acquired.
"Darbha" is Kusa grass, symbolical of Yajna. "Vidarbha" is pure land. "Malaya" or the Deccan is famous for Vishnu worship. ”

“ But, while Purūravas is ready to abandon the realm to the boy and retire to the forest in grief, Nārada comes with a message of good tidings; a battle is raging between the gods and the demons; Purūravas’s arms will be necessary, and in reward he may have Urvaçī’s society for his life.
The play has come down in two recensions, one preserved in Bengālī and Devanāgarī manuscripts and commented on by Ran̄ganātha in A.D. 1656, and the other in South Indian manuscripts, commented on by Kāṭayavema, minister of the Reḍḍi prince, Kumāragiri of Koṇḍavīḍu about A.D. 1400. ”

“ We find that the early authors suddenly cease to refer to them, and the problem is presented: What fate had befallen the Purus? Professor Oldenberg, whose view is accepted by Professor Macdonell, Oxford, explains that the Purus merged in the Kuru coalition. The Kurus gave their name to Kuru-kshetra, the famous battlefield of the epic Mahábhárata; they had already fused with the Panchala tribe and formed the Kuru-Panchala nation in Madhyadesa, the “Middle Country”, the home of Brahmanic culture, the birthplace of the famous old Upanishads. ”

“ It descends into the lower nature and thinks itself bound by action, so to enjoy the lower being: it can draw back and know itself as the passive Purusha free from all action. It can rise above the three gunas and, liberated from the bondage of action, yet possess action, even as I do myself, and by adoration of the Purushottama and union with him it can enjoy wholly its divine nature. ”

“ A THOUSAND heads hath Purusa, a thousand eyes, a thousand feet. On every side pervading earth he fills a space ten fingers wide. 2. This Purusa is all that yet hath been and all that is to be; The Lord of Immortality which waxes greater still by food. 3. So mighty is his greatness; yea, greater than this is Purusa. All creatures are one-fourth of him, three-fourths eternal life in heaven. 4. With three-fourths Purusa went up: one fourth of him again was here. Thence he strode out to every side over what cats not and what cats. 5. From him Viraj was born; again Purusa from Viraj was born. ”

“ On the other hand, Purusha, the first man, is represented as he out of whose body the world was formed.4 But Purusha is, as we have seen, the prototype of the Mandaic and apocalyptic “son of man.” Herein lies the confirmation of the fact that the “son of man” is none other than Agni, the most human of the Vedic Gods. In the Mazda religion the first mortals were called Meshia and Meshiane, the ancestors of fallen mankind, [131] who expect their redemption at the hands of another Meshia. ”

“ With these words, the hermit Nárada cheered up Purúravas, and then went with him into the presence of the king of the gods.
Then he communicated the order of Vishṇu to Indra, who received it with reverent mind, and so the hermit caused Urvaśí to be given to Purúravas. That gift of Urvaśí deprived the inhabitants of heaven of life, but it was to Urvaśí herself an elixir to restore her to life. Then Purúravas returned with her to the earth, exhibiting to the eyes of mortals the wonderful spectacle of a heavenly bride. ”

“ Pupurus is said to be properly Malay, but is nevertheless often used in Sunda. Most likely derived from Purusha, C. 410, male, masculine per simile. In the Polynesian word the first syllable, by a common practice, is doubled, when similitude is implied.
Puput, to blow, to breathe into. To fill with air, — as by blowing into a bladder, the fire etc. To blow with a bellows.
Puputan, the native bellows, which are two long cylinders of wood set side by side and standing upright. A tube leads out of each to a common point at the fire to be blown. ”

“ From that universal sacrifice sprang the hymns called Rik and Saman, the Metres, and the Yajus. From it were produced horses, and all animals with two rows of teeth, cows, goats, and sheep. When they divided Purusha, into how many parts did they distribute him? What was his mouth? What were his arms? What were called his thighs and feet? The Brāhman was his mouth; the Rājanya became his arms; the Vaisya was his thighs; the Sūdra sprang from his feet. The moon was produced from his soul; the sun from his eye; Indra and Agni from his mouth ”

“ Purusha reaps the fruits in that very body without break in which it acquires karma, but that body is the Linga Sarira, inclusive of Manas. As in dream man works out the impressions of the wakeful state without changing the body, so he enjoys the fruits of karma created in one birth in the Karma-made body of another birth. ”

“ Purusha is unchanging. It is the light which remains unchanged amidst all the changing modifications of the mind, so that we cannot distinguish purusha separately from the mind. This is what is meant by saying buddheḥ pratisaṃvedī purushaḥ, i.e. purusha reflects or turns into its own light the concepts of mind and thus is said to know it. Its knowing is manifested in our consciousness as the ever-persistent notion of the self, which is always a constant factor in all the phenomena of consciousness. Thus purusha always appears in our consciousness as the knowing agent. ”

“ The Second Purusha is the dweller of the Cosmic Egg. The Third Purusha is the pervader of all beings.
Creation is divided into two stages. First the creation of the principles themselves or Tatvas, which unite to form globes and individuals. This is called Kârana creation. Secondly the creation of individuals and of globes. This is called Kârya or resultant creation. Following the law of periodicity, the First Purusha energises the latent Karma or Jiva-record of the previous Kalpa, and prepares the ground for the development of that Karma, by setting Prakriti into active transformation. ”

“ Dhruva said,—"I bow unto Him whose forms are earth, water, fire, air, ether, mind, intellect, the first element, primæval nature, and the pure, subtle, all-pervading soul that excels nature. Salutation unto that Purusha who is devoid of qualities, pure, subtle, extending all over the earth, and who is separate from Prakriti; who is supreme over all elements, all objects of sense, intellect and who is separate even from Purusha. I seek refuge unto him, who is one with Brahmā, who is the soul of the whole universe, pure, and who is the foremost of all gods. ”

“ You and I have each of us one, and so has everyone else; an infinite number of circles, each one infinite, running through this universe. The Purusha is neither mind nor matter, the reflex from it is all that we know. We are sure if it is omnipresent it has neither death nor birth. Nature is casting her shadow upon it, the shadow of birth and death, but it is by its nature pure. So far we have found the philosophy of the Sankhya wonderful. ”

“ And the planetary Purusha is separate from the bodies of the planets. There is none to be angry at. Karma can not be the cause of Joy and sorrow. Karma has its sphere in which there is both a conscious and an unconscious element. The unconscious element undergoes transformation and the conscious element in search for the desired object leads to action. But the body is absolutely unconscious. And Purusha (or Self) in man is absolutely conscious. There is no root of Karma either in body or in Purusha.
"Kâla is part of Âtmâ, for Kâla is an aspect of Íshvara. ”

“ Thou hast Thyself created various life kingdoms and various forms. Though Thou pervadest them all from of old, having brought them all about, yet Thy special manifestation in them is relatively greater or smaller, according to the nature of the things created by Thee even as fire, though one and the same, burns differently according to the character of the fuel. Those that are of pure intellect follow the one Real amidst the many unreal forms. The (perceiving) Purusha in all beings is said to be Thy part only. Knowing this to be the truth about Jivas, wise men worship Thy feet. ”

“ In the Brāhmaṇas, Purusha is the same as the creator, Prajāpati, and in the Upanishads he is identified with the universe. Still later, in the dualistic Sānkhya philosophy, Purusha becomes the name of “soul” as opposed to “matter.” In the Hymn of Man a being called Virāj is mentioned as produced from Purusha. This in the later Vedānta philosophy is a name of the personal creator as contrasted with Brahma, the universal soul. The Purusha hymn, then, may be regarded as the oldest product of the pantheistic literature of India. ”

“ Purusha appears to be conceived as the universal essence of the world, all existences 439 being but one-quarter of him. The theory of sacrifice occupies, as in the later Indian literature generally, a prominent position. Purusha's sacrifice involved the momentous consequences of the creation of the several Vedas and of living creatures. ”

“ So self is the instructor. Śridhara) "For it is self that finds out final bliss by direct perception and by inference. Wise men, well versed in Sânkhya and Yoga, look upon Me as Purusha pervading all beings, and possessing all powers. (This is according to Śridhara, the direct perception by which final bliss is attained. The word Purusha here has something like the sense of a Monad in Theosophical literature. The passage quoted by Śridhara from the Upanishads to illustrate the idea of Purusha also shews this.) ”

“ In the language of Hindu philosophers it is the original and eternal combination of Purusha and Prakriti. As the Adwaitees hold that an external object is merely the product of our mental states, Prakriti is nothing more than illusion, and Purush is the only reality; it is the one existence which remains eternal in this universe of Ideas. This entity then is the Parabrahmam of the Adwaitees. ”

“ You see a man going after gold, because behind it is a spark of the Purusha though mixed up with a good deal of dirt. When a man loves his children or a woman her husband, what is the attracting power? A spark of Purusha behind them. It is there, only mixed up with "dirt". Nothing else can attract. "In this world of insentiency the Purusha alone is sentient." This is the Purusha of the Sankhya. As such, it necessarily follows that the Purusha must be omnipresent. That which is not omnipresent must be limited. ”

“ The Purusha medha sacrifice of the Veda which is misunderstood for the offering of a male-being, a man, a horse, a bull or a he-goat or male of any animal, meant originally the sacrifice of the human soul, or self-immolation of the purusha or embodied intelligence to the Supreme Spirit, by means of its concentration into the same through the instrumentality of yoga abstraction. ”

“ The word purusha, consisting of three syllables, that indeed goes into the Virag.
18. Verily, these are all metres, these (Gayatri, Trishtubh, Gagati) having the Virag as the fourth. In this manner this day is complete in all metres to him who knows this.
FIFTH KHANDA 1. He extends these (verses) by (interpolating) the sound. Verily, the sound is purusha, man. Therefore every man when he speaks, sounds loud, as it were.
2. At the end of each foot of the first verse of the hymn tad id asa, he inserts one foot of the second verse of hymn Rv. ”

“ This fundamental contradiction, due to mixing up the theory of creation with that of evolution, is removed in the Sānkhya system by causing Purusha, or soul, to play the part of a [138] passive spectator, while Prakṛiti, or primordial matter, undergoes successive stages of development. The cosmogonic hymns of the Rigveda are not only thus the precursors of Indian philosophy, but also of the Purāṇas, one of the main objects of which is to describe the origin of the world. [139]
1 The sun is probably meant. ”

“ It also for the first and only time in the Rigveda mentions the four castes; for it is here said that Purusha's mouth became the Brahman, his arms the Rājanya (warrior) , his thighs the Vaiçya (agriculturist) , and his feet the Çūdra (serf) .
In nearly all the other poems dealing with the origin of the world, not the gods collectively but an individual creator is the actor. Various passages in other hymns show that the sun was regarded as an important agent of generation by the Rishis. ”

“ Thus is it with us all in this Māyā, this dream world, where it is all misery, weeping and crying, where a few golden balls are rolled, and the world scrambles after them. You were never bound by laws, nature never had a bond for you. That is what the Yogi tells you. Have patience to learn it. And the Yogi shows how, by junction with nature, and identifying itself with the mind and the world, the Purusha thinks itself miserable. Then the Yogi goes on to show you that the way out is through experience. You have to get all this experience, but finish it quickly. ”

“ Let prosperity be yours! All of us will again meet together in heaven!—Having said these words the high-souled king of the Kurus became silent. Casting off his griefs for all his (slain) kinsmen, he then gave up his life-breaths. His soul ascended to sacred heaven, while his body only remained on earth. Even thus, O king, thy son Duryodhana breathed his last. Having provoked the battle first, he was slain by his foes at last. The three heroes repeatedly embraced the king and gazed steadfastly on him. They then ascended their cars. ”