Royal Opera House

Definition and stakes

Portrait of Sol Hurok Sol Hurok,  S. Hurok Presents; A Memoir of the Dance World (1953)

“ About all is the atmosphere of history, tradition, and the aura of a genuinely free people. The Royal Opera House itself has a particular fascination for me. So far as I am concerned, there is not the slightest incongruity in the fact that its façade looks out on a police station and police court and that it is almost otherwise surrounded by a garden market. ”
Source: Gutenberg

Portrait of William Seymour Edwards William Seymour Edwards,  Through Scandinavia to Moscow

“ On our last evening we attended the Royal Opera, occupying a box quite to ourselves, where we heard good singing and well-rendered music by the Royal Band, beheld a fashionably-dressed and intelligent-looking audience, and were stared at by old King Oscar who sat rigid in his box, and glared at us with a mighty black opera-glass until he had studied each feature of the stranger guests, and by his persistence thereby directed upon us the curiosity of every other pair of opera glasses in the house. ”
Source: Gutenberg

Portrait of John Neal John Neal,  The Atlantic Monthly (1866)

“ Yet the opera-house, with the patronage of the royal family, the nobility, and the gentry, and open only twice a week, is never full even at the representation of the finest works of genius; and when such an artist as Catalani is engaged at one of the theatres, and the people are admitted for theatre prices, the first thing they do, after crowding the house to suffocation, is to call for "God save the King," or, if Braham is out, for "Kelvin Grove." ”
Source: Wikisource

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