Summary

Various Blackwood's Edinburgh Magazine…

If a translation could be made, which should render into English the force and beauty of the original language, the mingled energy and delicacy of Sophocles's conception, we should, indeed, have a perfect idea of the magic of the Greek drama. Such a translation is not beyond the bounds of possibility; the English language is capable of it, and could, in the hands of a master, render back a faithful image of the brevity and power of the Greek. But that master must be a Sophocles, or a Shakspeare; and ages will probably elapse before the world produce either the one or the other.
Source: Gutenberg

Various Blackwood's Edinburgh Magazine…

The love of the drama is founded on the deepest, the most universal, the noblest principles of our nature. It exists, and ever will exist. For good or for evil, its influence is immovable. We cannot extirpate, or even tangibly abridge its sway; the art of Æschylus and Shakspeare, of Sophocles and Racine, of Euripides and Schiller, is not to be extinguished by the reputable but contracted ideas of a limited portion of society. God has not made it sweeter to weep with those who weep, than to rejoice with those who rejoice, for no purpose.
Source: Gutenberg

Various Blackwood's Edinburgh Magazine…

Æschylus borrowed, Prometheus-like, the divine fire, and embodied the energy of Dante and the soul of Milton in his sublime tragedies. Sophocles and Euripides were contemporary with Pericles and Phidias; the same age witnessed the Clouds of Aristophanes, the death of Socrates, and the history of Thucydides. The warlike and savage genius of the Romans made them prefer the excitement of the amphitheatre to the entrancement of the theatre; but the comedies of Plautus and Terence remain durable monuments, that the genius of dramatic poetry among them advanced abreast of the epic or lyric muse.
Source: Gutenberg

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