Saint-Lô

Definition and stakes

Portrait of Edward A. Freeman Edward A. Freeman Sketches of Travel in Normandy and Maine

But at Saint-Lo, whatever little outline the church has apart from its spires it gets from a series of gables along the aisles, something like those of Saint Giles at Oxford. Inside we have a not very successful hallenkirche, three bodies without a clerestory, Bristol-fashion. Much of the work is good enough of its kind, and the late stained glass is worth studying; but, as soon as we leave the west front behind there is a strange lack of design in the whole building, inside and out.
Source: Gutenberg

Portrait of Edward A. Freeman Edward A. Freeman Sketches of Travel in Normandy and Maine

The hill of Coutances is not a hill simply rising from a plain; there are valleys on two sides, and we ask for a stream at the bottom of them as naturally as we do at Edinburgh. At Saint-Lo, the Vire, with the rocky hill rising high above it, is the chief feature of the landscape. And as we pass by on the railway and look up, the two graceful spires of the church of Our Lady seem quite worthy of their position. We feel at once that the characteristic feature of Normandy and England, the central tower, is missing.
Source: Gutenberg

Portrait of Edward A. Freeman Edward A. Freeman Sketches of Travel in Normandy and Maine

As an honest delusion, it is at least more respectable than making Alfred found things at Oxford and Ripon.
Notre-Dame, Saint-Lo, S.E.
In position, Saint-Lo, town and church, outdoes Coutances. It is, we believe, a favourite resort of artists, and it deserves to be so. At Coutances we are on a hill. If we draw near to it by railway, we see the three towers of the cathedral church soaring far above us, and even the two towers of Saint Peter are by no means on our own level. The town stands on a height, at the end of a range of high ground
Source: Gutenberg

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