Samian ware

Definition and stakes

Portrait of Llewellynn Frederick William Jewitt Llewellynn Frederick William Jewitt,  Grave-mounds and Their Contents

“ It is, however, the figured pottery of Durobrivæ, which 156 presents some of the characteristics of the Samian ware, that possesses the greatest interest for the antiquary and the historian. The variety of subjects in the Samian ware is far greater, and they are treated in a more elaborate and more highly finished style of art, yet similar classes of subjects appear to have enjoyed greater popularity than others in the Durobrivian and Samian pottery, and we can hardly help suspecting that there was some design of imitating, or perhaps a sentiment of rivalry. ”
Source: Gutenberg

Samuel Birch,  History of Ancient Pottery: Greek…

“ Not only in clay and glaze but in decoration these wares are characteristically Roman; but the question as to the actual centre or centres of their manufacture still admits of some discussion.
Relying principally upon the testimony of Pliny, Martial, and other ancient writers, archaeologists have been accustomed to classify the red ware with reliefs, on a rough system of distinction according to artistic merit, as Arretine, Samian, and “false Samian.” The latter term “Samian” has indeed acquired such popularity that it has passed into the language as a conventional term of almost every-day use
”
Source: Gutenberg

Sara Ware Bassett,  The Story of Porcelain

“ Sometime, however, Theo, you should go to one of our museums and see some Samian ware, the finest of Roman clay work. The red in it is almost as vivid as sealing-wax, and it has a wonderful polish not unlike that on modern Egyptian ware. No one has ever been able to discover from what clay this marvelous pottery was made. Some historians think the ware was first made by wandering Greek artisans. The Romans also made a very beautiful black ware now known as Upchurch pottery because of the location in England in which it was found. ”
Source: Gutenberg

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