Santiago de Compostela

Definition and stakes

Katharine Lee Bates,  Spanish Highways and Byways

“ Artists from far-off lands, who had come on pilgrimage, lingered for years, often for lifetimes, in Compostela, making beautiful the dwelling of the saint.
The great epoch of Santiago was the twelfth century, when there succeeded to the bishopric the able and ambitious Diego 417 Gelmirez, who resolved that Compostela should be recognized as the religious centre of Spain, and be joined with Jerusalem and Rome in a trinity of the supreme shrines of Christendom. He was a man of masterly resource, persistence, pluck.
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Source: Gutenberg

Thomas Macall Fallow and Richard Phené Spiers,  1911 Encyclopædia Britannica (1911)

“ The cathedrals in Spain follow on the same lines as those in France. The cathedral of Santiago de Compostela is virtually a copy of St Sernin at Toulouse, consisting of nave and aisles, transepts and aisles, and a choir with chevet of five chapels; at Leon there is a chevet with five apsidal chapels, and at Toledo an east end with double aisles round the apse with originally seven small apsidal chapels, two of them rebuilt at a very late period. ”
Source: Wikisource

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