Tauris

Definition and stakes

Portrait of Jules Verne Jules Verne,  Celebrated Travels and Travellers…

“ From this point to Tauris, a Persian town in the province of Adzer-baidjan, Marco Polo's route seems to be doubtful. He takes up his narrative at Tauris, which he describes as a large flourishing town built in the midst of beautiful gardens and carrying on a great traffic in precious stones and other valuable merchandise, but its Saracen inhabitants are disloyal and treacherous. Here he seems to divide Persia geographically into eight provinces. The natives of Persia, according to him, are formidable enemies to the merchants, who are obliged to travel armed with bows and arrows. ”
Source: Gutenberg

Portrait of Enguerrand de Monstrelet Enguerrand de Monstrelet,  The Chronicles of Enguerrand de Monstrelet…

“ Not one of their army was permitted to live.
The city of Tauris, seeing the great power of Sophi, and that he had destroyed their prince and his children, surrendered to him without any defence,—and he re [Pg 95] mained there with his army some time. The citizens of Tauris, observing the great prudence and wisdom of Sophi, put him in possession of all the treasures of Usson Cassan. He thence departed to a large town called Lingia, three days journey from Tauris, and to another called Passy, the last town of Usson Cassan.
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Source: Gutenberg

Hubert Joseph Treston,  Poine: a study in ancient Greek blood-vengeance (1923)

“ The ‘Iphigenia in Aulide’ and ‘Iphigenia in Tauris’
A comparison of these two dramas reveals at first sight a rather obvious inconsistency. The Aulid play centres round Agamemnon’s sacrificial slaying of his daughter at Aulis, while in the Tauric play the victim reappears as a priestess of Artemis amongst the Tauri! It is generally maintained that the last scene of the Aulid play, which describes the substitution of a stag for the maiden by a miraculous intervention, is not the work of Euripides.
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Source: Gutenberg

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