The Legend of Good Women

Definition and stakes

Amelia Gere Mason Woman in the Golden Ages — Woman in Greek Poetry (1901)

But the dramatists reflected in a thousand ways the altered spirit of an age in which good women had no visible part. Their immortal heroines are equally strong and instinct with vitality, though less simple and of severer mold, but they are revered from afar as the goddesses were, while real women are a target for abuse and ridicule. It is to no rare and perishable beauty, no fleeting grace, no intellectual brilliancy, that they owe their eternal charm, but to their moral greatness, their strength of sacrifice.
Source: Wikisource

Portrait of Corra Harris Corra Harris The House of Helen

But I doubt if there is a single biography to be found of a merely good woman, because for some reason goodness does not distinguish women, and for another reason, while it may make them useful, dependable and absolutely essential to others, it does not make them sufficiently interesting to hold the reader’s attention or the world’s attention. You never heard of one being knighted for virtue. It is not done. You never saw a monument raised to just one woman who was invincibly good and faithful in the discharge of her intimate private duties as a wife or a mother.
Source: Gutenberg

Portrait of Gamaliel Bradford Gamaliel Bradford Portraits of women

It is a most satisfying and tranquilizing thing to see a creature so dainty, so exquisite, so finely tempered with all the delicate responsiveness we nowadays call nerves, at the same time steeled and toughened by that substantial necessity, common sense. She knew all the good of life and all the evil. Beauty, rank, wealth, love, honor, exile, ruin, and disaster were all hers. And through them all she remained the same simple, gentle, loyal, heroic figure, admirable if a woman ever was, and memorable if the highest charm backed by the strongest character are indeed worth remembering.
Source: Gutenberg

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