Sir Aurel Stein,
The Thousand Buddhas
(1921)
“ In Tibetan Buddhism the Tantra system of magic and witchcraft, and the worship of demons (supposed to be converted by Buddha and to be vassals under his sovereignty) , play a dominant part; and in the paintings the forms are often monstrous and horrible, the colouring sombrely splendid. But the harmonies of fluid, sinuous line, for which they are even more remarkable, seem to be an element borrowed from Chinese art and carried to excess in Tibet. If we compare for a moment this painting with, for instance, the one reproduced on Plate xlii, we see how much this element counts for. ”
