E. K. Chambers, The Elizabethan Stage, Vol. 1
“ But the influence of the dumb-show upon the drama is not wholly to be measured by the extent to which it was adopted as a formal element in the structure of plays. It introduced a spectacular tendency, which continued to prevail long after the position of the dumb-show as an interact had been surrendered. Indeed, the extreme Italian development of the intermedii constituted a danger against which the lovers of a purer dramatic art were soon in protest. [605] If tragedy and comedy had not succeeded in absorbing spectacle, they would have been overwhelmed by it. ”
