Dumb show

Definition and stakes

E. K. Chambers,  The Elizabethan Stage, Vol. 1

“ But the influence of the dumb-show upon the drama is not wholly to be measured by the extent to which it was adopted as a formal element in the structure of plays. It introduced a spectacular tendency, which continued to prevail long after the position of the dumb-show as an interact had been surrendered. Indeed, the extreme Italian development of the intermedii constituted a danger against which the lovers of a purer dramatic art were soon in protest. [605] If tragedy and comedy had not succeeded in absorbing spectacle, they would have been overwhelmed by it. ”
Source: Gutenberg

E. K. Chambers,  The Elizabethan Stage, Vol. 3 (1923)

“ The break in the representation may still correspond to practically no interval at all in the time-distribution of the play; and there are examples in which the action continues to be carried on by the personages in dumb-show, while the music is still sounding. [430] In any case this particular distinction, while it might well modify the methods of the dramatist, need only affect the economy of the tire-house in so far as it would give more time for the preparation of [132] an altered setting at the beginning of an act. ”
Source: Gutenberg

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