Gaff

“ Gaffing, tossing halfpence, or counters.—North, where it means tossing up three halfpennies. One man tosses, and another calls. Sometimes the coins are tossed from a stick, and the tosser keeps those which fall heads uppermost.
Gag, a lie; “a GAG he told to the beak.”—Thieves’ Cant.
Gag, language introduced by an actor into his part. In certain pieces this is allowed by custom, and these are called GAG-PIECES. The Critic, or a Tragedy Rehearsed, is chief among these. Many actors, however, [172] take French leave in this respect with most pieces.—Theatrical slang. ”

“ Singing and joking, we were in no humor for, and, in fact, any sound of mirth or laughter would have struck strangely upon our ears, and would not have been tolerated, any more than whistling, or a wind instrument. ”

“ Exclamations of delight arose on every side,—exclamations which were for the most part high-pitched and noisy,—for the ‘swagger set’ have long ceased to cultivate softness of voice or refinement of accent,—and once or twice the detestable slang word, ‘ripping’ escaped from the lips of a few dashing dames, reputed to be ‘leaders’ of style. ”

“ Lo! each day I rend myself with crying out, “Depart from the theatres:” and many laugh at us: “Desist from swearing, from covetousness:” numberless are our exhortations, and there is none to hear us. But I do not discourse during night? ”

“ Rhetorical and bombastic, the lines are flung and hurried into existence and reach the same impromptu felicities, have the same lip-moulded profusion and unexpectedness, which speech sometimes achieves, but seldom in our day the deliberate, solitary pen. ”

“ To gawster, in fine, is a sure indication of moral and physical debility. He who gawsters is like a show, which has enormous pictures and clanging cymbals, and gongs, and drums, and an obese showman, in his shirt-sleeves, lying through a speaking-trumpet at the top of his voice, outside, and little more than a three-headed puppy, or a seven-legged lamb (not in vigorous life, as shown upon the canvas, but in glass and spirits of wine) within. ”

“ When one listens, by the side of honest men, at the portals of society, one overhears the dialogues of those who are on the outside. One distinguishes questions and replies. One perceives, without understanding it, a hideous murmur, sounding almost like human accents, but more nearly resembling a howl than an articulate word. It is slang. ”

“ The murmur of voices, the rise and fall of laughter and speech, ceased as though an unseen finger had been pressed upon the lips of everyone in the room. Men rose in their places, women craned their necks. ”

“ There is no use of profane or unclean words, and yet this slangy mode of speech is the little rift within the lute that, by and by, will make all the music of the fine womanly conversation not mute, but drowned in a hubbub of loud sounds and common words. The girl who continually uses slang as naturally elevates her voice as she breathes ”

“ To feel the women's eyes on me when he comes near, to feel that their ears are strained to catch the note in my voice which will give me away, place me under their scorn—and to know that, try as I will, my voice, my eyes will grow tender as they rest on him, as I speak to him! ”

“ For, tell the most impassioned orator, suddenly, that his wig is awry, or his shirt-lap hanging out, and that he is tickling people by the oddity of his person, instead of thrilling them by the energy of his periods, and you would infallibly dry up the spring of his eloquence. ”

“ Another class of interjections are such as any one conversant with the gesture-signs of savages and deaf-mutes would recognize as being themselves gesture signs, made with vocal sound, in short, voice-gestures. The sound m’m, m’n, made with the lips closed, is the obvious expression of the man who tries to speak, but cannot. Even the deaf-and-dumb child, though he cannot hear the sound of his own voice, makes this noise to show that he is dumb, that he is mu mu, as the Vei negroes of West Africa would say. To the speaking man, the sound which we write as mum! ”

“ If without your thinking of it you find yourself becoming more earnest in speech, and more impressed with the seriousness of the issue you are arguing, your voice will show it naturally. So when you are writing: your earnestness will show, if you have had the training and have the natural gift for expression in words, in a lengthening and more strongly marked rhythm, in an intangibly richer coloring of sound. In speech the rhythm is apt to be shown in what is called parallel structure, the repetition of the same form of sentence, and in rhetorical questions. ”

“ To bawl is to utter senseless, noisy cries, as of a child in pain or anger. Bellow and roar are applied to the utterances of animals, and only contemptuously to those of persons. To clamor is to utter with noisy iteration; it applies also to the confused cries of a multitude. To vociferate is commonly applied to loud and excited speech where there is little besides the exertion of voice. In exclaiming, the utterance may not be strikingly, tho somewhat, above the ordinary tone and pitch; we may exclaim by mere interjections, or by connected words, but always by some articulate utterance. ”

“ Coming down the companionway to it, it seemed that the few who were there were rather dropping an ordinary word into strings of swear-words, than dropping a swear-word into their speech. Men lay here and there, men sat here and there on bunks. ”

“ It was hitherto a custom of long standing among us that, when any earnest word was uttered, either to an audience or in print, those who never got beyond polite conversation took possession of the word and transformed it into an amusing subject of talk to relieve their boredom. ”

“ According as feeling is stronger and firmer, as in the expression of courage, determination, firm resolve, resistance, intense devotion, the voice is kept sustained, with pauses rather abrupt and decisive; if the feeling, though of high sentiment, is tranquil, without aggressiveness, the voice has more of the wavelike rise and fall, and at the pausing places the tone is gradually diminished, rather than abruptly broken off. In the case of quickly impulsive, passionate feeling, the speech is likely to be much varied in pitch, broken by frequent abrupt stops, and decisive inflections. ”

“ It is convenient to have something to do with your mouth when you are stumped in the way of conversation. If suddenly asked a puzzling question, or hit in the chest with a sarcasm, what a resource is a glass of wine or cup of coffee, in which to dip your nose whilst you collect your ideas, or recover your breath. ”

“ And gag, except perhaps in relation to certain interpolations, which are founded upon enduring, if absurd, histrionic traditions, acknowledges stricter limitations than it once did. A gagging Polonius, Dogberry, Gobbo, or Gravedigger could scarcely expect much toleration from a modern audience; while it is true enough, that these famous personages do not often present themselves upon the scene in these times. ”

“ The tone of his voice was not displeasing to the ear, though there might be something artificial in the swell of it,—the sort of tone men assume when they desire to seem more frank and off-hand than belongs to their nature,—a sort of rollicking tone which is to the voice what swagger is to, the gait. ”

“ It seemed that on searching for English sentences he had learned that the idiom "not to care a fig" was synonymous with the verb "to sneer," and so supposed that in asking for "sneers" he had the right word for fig. Turn about is fair play; we must have our laugh at the foreigners, as they have so much fun at our expense. ”

“ It is perhaps this humour of speaking no more words than we need which has so miserably curtailed some of our words, that in familiar writing and conversation they often lose all but their first syllables, as in mob, red. ”

“ For ten years I haven't heard the sound of a human voice, and now they was buzz, buzzin' all the time; it seemed as if there was a swarm of wasps round my ears the everlastin' day. Buzz! buzz! and then clack! clack! like an everlasting mill-clapper ”

“ I have a general impression of thin carefully modulated voices, fluffy well-groomed hair, delicate features, light eyes, a discontented expression—which is reflected in their voices—an unbounded self-confidence, an annoying and persistent self-consciousness, and the most perfect gowns imaginable. ”

“ The brute-like sounds that escape from the human throat in the exercise of laughter, the coarse guffaw, the hoarse chuckle, and the high, cackling tones in which many of the feminine half of the world express their sense of amusement, attest very painfully the animal nature within us. It was Emerson, I believe, who expressed a dislike of all loud laughter ”

“ Every ear is so well in tune, by nature and correct tuition, that no false notes are uttered. Now and again some of the talkers join in for a verse or two, and this occasions a magical crescendo, gradually diminishing as the foremost ones leave the hall. ”

“ The devices for exciting laughter are scarcely more than three in number; one the assumed deafness of the Güegüence, the second, a consequence of this, that he misunderstands, or pretends to, the words of the other actors, thus giving rise to amusing quid-pro-quos, and third, the introduction of obscene references. ”

“ Old hags in their weird songs, composed under the excitement of the moment, can stir the men up to the highest pitches of frenzy and revenge. The effect is not so much caused by the words as by the energy and venomous expression of the singer, for the sound and meaning pass as quickly as the torrent, and stir every fibre and instinct of the listener. ”

“ In the writing of the lines of the face, in the motion of the lips, in the indefinable tones of voice, in the air and manner, there comes out constantly in all characters an atmosphere of the truth, which the words spoken, whether intended or not intended, do not convey. ”

“ It is a far more shifting and subtle thing than that, for mere speech is constantly supplemented or corrected or contradicted by the twinkle in our eyes, the tautness or tremor in our voice, the twisting of our lips. ”

“ The sing-song tone, the scream, the lisp, the guttural and tremulous tones, the rhythmical emphasis which falls like a trip-hammer at measured intervals, are specimens of common, bad habits that should be weeded out as fast as they push through the soil; and if the speaker’s egotism is too great to see them, or his taste not pure enough, some friend should point them out. Even the advice of an enemy conveyed in the unpleasant form of sarcasm and ridicule may be profitably used for the purpose of reform and improvement. ”

“ Even where the vocal outburst retains its primitive spontaneity and fulness considerable variations are observable, connected with differences in the whole respiratory and vocal apparatus. The intensity and volume of the sound, the pitch and vowel-quality, the rapidity of the successive expirations, the length of the series, the mode of commencing and of ending, may all exhibit variations which help to make the laughter of one person or of one race different from that of another. ”

“ Each point, or gag, is so compressed that to take away or add even one word would spoil its effect; each is expressed so vividly that the action seems to take place before the eyes of the audience. Finally, every point leads out of the preceding point so naturally, and blends into the following point so inevitably, that the entire monologue is a smooth and perfect whole. ”

“ And all these signs are as it were a kind of visible words. The signs that address themselves to the ear are, as I have said, more numerous, and for the most part consist of words. For though the bugle and the flute and the lyre frequently give not only a sweet but a significant sound, yet all these signs are very few in number compared with words. For among men words have obtained far and away the chief place as a means of indicating the thoughts of the mind. ”

“ One can't make a task-work of dialogue; there must be biting touches, summings-up, and flashes of wit, which are the blossoms of the mind, and come rather by inspiration than reflection. This sort of intellectual sport is very much in my line. I assist Gaston in his work, and in this way manage to accompany him even in the boldest flights of his imagination. ”

“ The hum of voices is loud and incessant. Sometimes there is an explosion of laughter, sometimes a burst of rage or exultation; but over all prevails a sharp, prolonged rattle, at first somewhat confusing to the non-familiar. ”

“ With the voice man at first imitated the few sounds of nature, while with gesture he exhibited actions, motions, positions, forms, dimensions, directions, and distances, and their derivatives. It would appear from this unequal division of capacity that oral speech remained rudimentary long after gesture had become an art. ”

“ Such are some of the arts of dialogue, as they are employed sometimes in the task of serious and delicate analysis, as for example by Mr. Henry James, sometimes in the cause of pure comedy, as by Gyp. That lady made an interesting experiment. She tried to indicate the gestures, wherein her countrymen are so eloquent, by a system of notation—so many notes of interrogation, or so many of exclamation, being B’s response to A’s spoken observation. But here, I think, she must be held to have resorted to ‘business’ as we have already discussed it, and to have passed beyond true dialogue. ”

“ THE talk of empty-headed, vain and tiresome babblers, who with no foundation of solid matter let out a stream of tipsy, tottering words, has justly been thought to come from the lips and not from the heart. ”