Floral design

Definition and stakes

Elizabeth Haig,  The floral symbolism of the great masters (1913)

“ One is of pottery, with a conventional design of grapes and vine leaves, and is filled with orange lilies and the purple and the white iris. In the other, which is of transparent glass, there is columbine and three red carnations; upon the ground are scattered blue and white violets. Each flower is painted with the most exquisite precision. Here the flower symbols all emphasize the spiritual significance of the scene. The scattered violets symbolize humility, for the King of Heaven lies on the ground as a little Child. ”
Source: Gutenberg

Edward T. Curnick,  The Kentucky Ranger

“ Jasper was the first to speak: "Miss Viola, what is so beautiful as an apple tree in bloom? Our heavenly Father seems to have mixed the elements of nature to make this blossom with a skill not seen elsewhere. It combines the pure whiteness of the plum or cherry with the delicate color of the pink or rose. How beautiful is the shading! How the pink tint improves the white and the white the pink! Every separate blossom is fit to adorn the head of a fairy; and when you look upon this wilderness of bloom, you feel that the floral world can go no farther with its gift of beauty. ”
Source: Gutenberg

Portrait of Charles Dudley Warner Charles Dudley Warner,  The Works of Charles Dudley Warner

“ But here comes a flaunting thing with no desirable perfume, looking as if it were cut with scissors out of tissue-paper, but capable of taking infinite varieties of color, and growing as big as a curtain tassel, that literally captures the world, and spreads all over the globe, like the Canada thistle. The florists have no eye for anything else, and the biggest floral prizes are awarded for the production of its eccentricities. ”
Source: Gutenberg

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