Cyril Davenport, The Book: Its History and Development
“ Goat skin always shows small hair dots in groups all over its surface; it is not quite smooth like calf, and also it shows certain structural striations. In early goat bindings both these marks show clearly, and until the time of Roger Payne in the eighteenth century, the leather was left in its natural state so far as surface marks went.Italian bookbinders at an early date saw the beauty of natural sunk lines on goat skin, and accentuated them by [177] rubbing in gold leaf. On such bindings the markings on the leather show as fine gold lines ”
