Lithographic stone

Definition and stakes

Elisha Noyce,  The Boy's Book of Industrial Information

“ A close-grained stone called lithographic stone (a kind of magnesian limestone) is ground perfectly even on the surface, and (if for being written upon) polished with pumice-stone, or (if for being drawn upon with chalk) grained with fine sand; the design is drawn with chalk or ink, each of which is made up of greasy materials—wax, soap, and asphaltum, colored with lamp-black. When the design is made, the stone is etched—washed over with a weak mixture of nitric acid and water—which answers three purposes ”
Source: Gutenberg

Thomas George Hill,  The Essentials of Illustration

“ Lithographic stones vary in hardness, colour and grain. For the best work the stone should be homogeneous and of a hardness suitable for the subject; the colour affords an indication of the hardness, the lighter-coloured stones, which are much the commoner, being softer than the darker.
There are two modes of procedure; the drawing may page 16 be made direct on the stone with lithographic ink or crayon—both being mixtures of tallow, wax, soap and shellac, with a sufficiency of pigment to render the drawing visible to the artist—or else the drawing may be made upon transfer paper.
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Source: Gutenberg

Edward Hazen,  Popular Technology; or, Professions and Trades…

“ When stones of proper size and texture cannot be conveniently obtained, slabs are sometimes constructed of lime and sand, and united with the caseous part of milk. The first part of the process which may be considered as belonging peculiarly to the art, consists in making the drawing on the stone. This is done either in ink, with steel pens and camel's hair pencils, or with crayons made of lithographic chalk. ”
Source: Gutenberg

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