Lustreware

Definition and stakes

Charles Rowed,  Collecting as a Pastime

“ The only marked one shows that J. Aynsley was using lustre about 1800. My largest copper lustre jug bears the first owner’s initials, “W.P., 1823,” while the silver lustre cannon is lettered “Battle of Wagram, 1806,” so I can only surmise that most of these exhibits were made in the first half of the nineteenth century. The main difference between the modern and old lustre ware is usually noticeable on the bottom of the pieces, the finish of the old being more carefully executed. ”
Source: Gutenberg

William Burton, Harry R. H. Hall, Albert van de Put, Henry B. Walters, Robert L. Hobson and Bernard Rackham,  1911 Encyclopædia Britannica (1911)

“ The lustre itself when viewed directly may look like some golden or deep chocolate-brown colour, but as the piece is turned to catch a side-light this deep colour is seen to bear a thin iridescent film, which glows with golden, green, purple or ruby-red metallic reflets. On the earliest examples the decoration is often entirely in lustre, but later, lustre is often used to eke out a pattern painted with masses of pale cobalt-blue or turquoise under the glaze. ”
Source: Wikisource

Arthur Hayden,  Chats on Old Earthenware

“ The collection of lustre ware is comparatively modern. In common with salt-glaze ware which was not thought much of in the auction-room some few years ago, lustre-ware has been studied and collected with avidity, and a good deal has been discovered concerning its origin.
It may be said at the outset that lustre varies very considerably in quality, and the plain undecorated platinum or "silver" lustre is being produced at the present day in teapots and cream-jugs in simulation of the old Georgian silver patterns.
”
Source: Gutenberg

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